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Thiefs: Thiefs
by Mark F. Turner
What might seem like a grammatical gaffe in the self-titled debut of Thiefs is not an oversight. What's more striking is the music from the forward-thinking trio of Guillermo E Brown, bassist Keith Witty, and saxophonist Christophe Panzani; a group whose combined resumes include work with Carla Bley Big Band, French hip-hop outfit Hocus Pocus, Vijay ...
Two Sides of Ben Goldberg
by Troy Collins
Developments in the evolving recording industry have inspired an increasing number of musicians to form their own labels. San Francisco-based clarinetist Ben Goldberg, a veteran of the 1990s Downtown New York scene, joined many of his peers in 2009 with Go Home, the inaugural release of his BAG Production Records imprint. Goldberg's prior efforts, issued by ...
Manhattan Vibes: Blue November
by Dan Bilawsky
Manhattan Vibes is a spot-on double entendre, referencing the vibraphone focal point that is Christos Rafalides and the hustle and bustle of the world's busiest city, which manifests itself in the group's music. Rafalides, who hails from Kozani, Greece and adopted New York as his new home, waited more than a decade to make a follow-up ...
Rez Abbasi Trio: Continuous Beat
by Glenn Astarita
Guitarist Rez Abbasi is one of the more prolific modern-era guitarists, calling New York City home but often adhering to his Pakistani roots through the looking-glass of jazz. Other than his impressive chops, he often amalgamates--to varying degrees--an Indo-jazz vibe into his solo outings and session gigs. However, on this plugged-in trio date, Abbasi instills a ...
Philip Dizack: End of an Era
by Mark F. Turner
Philip Dizack's End of an Era is a resounding album that is solidified by fine ensemble work and composition that breathes emotion and thoughtfulness. Since his 2005 debut, Beyond a Dream on Fresh Sound Records, Dizack has crafted his skill as a trumpeter and composer. This sophomore release is a statement of maturity that is born ...
Ron Miles: Quiver
by Mark F. Turner
Some musicians are recognized not only for their abilities but also their vociferous commentaries, holding true the phrase that “the squeaky wheel gets the most attention." Yet there are more subdued voices who let their music do the talking, as is the case for Ron Miles' Quiver, a project led by the Denver-based trumpeter and his ...
Dave Douglas Quintet with Special Guest Aoife O' Donovan: Be Still
by Glenn Astarita
Eminent trumpeter/composer Dave Douglas models change through innovation. Among the more important progressive jazz musicians of the past three decades, he's evolved into a motivator and guiding light for scores of seasoned jazz artisans and progressive music upstarts. This 2012 campaign bridges Americana with equal parts jazz, folk, and hymnal pieces with a translucent melding of ...
Ben Williams: The Effect of Sound
by Daniel Lehner
It's continuously perplexing that Ben Williams did not set out on playing the bass first. Forced to pick the most attractive string instrument amongst the cellos and violins, the 7th grade aspiring guitarist ended up picking the instrument that he, now in his upper twenties, is in massively high demand for and is unsettlingly proficient in. ...
Marco Cappelli: The American Dream
by Mark Corroto
Things get lost in translation. It's inevitable, and it's not just words and meaning. Cultural things morph. Take a Venetian or Roman to an Olive Garden restaurant in America and she won't recognize much on the menu, or send an American to Puglia with the task of finding a pizza pocket. Some things just don't translate.
Matt Ulery: By A Little Light
by Franz A. Matzner
A unique blend of traditional jazz, classical, Eastern European folk, and modern idioms, Mat Ulery's By A little Light is steeped in a melancholic grace and shadowy beauty that provides the two-disc set its unifying force. Throughout, Ulery has chosen detail and the oblique over the grandiose to etch his dusky scenes and portraits that seem ...
