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Ryan Keberle's Collectiv do Brasil: Sonhos Da Esquina
by Dan Bilawsky
Ryan Keberle's broad musical interests have led him to create some distinctly different ensembles. This top-tier trombonist and composer has grown and developed his own double quartet, laid out a wide-ranging vision across a handful of albums with the compact Catharsis, explored the flow of influences between jazz and classical music in Reverso and honored and ...
Julieta Eugenio: Jump
by Hrayr Attarian
Listening to saxophonist Julieta Eugenio on the engaging Jump it is hard to believe this is only her debut. Her confident playing, warm, brassy tone and intelligent, spontaneous ideas belie her relative youth. Eugenio penned most of the music on Jump, so the release also showcases her superlative compositional skills. The poetic, loose-knit originals are perfectly ...
Ryan Keberle's Collectiv Do Brasil: Sonhos Da Esquina
by Dan McClenaghan
Trombonist Ryan Keberle fell in love with Brazilian music. It happens. Who has not experienced infatuation on an encounter with Getz/Gilberto (Verve, 1964), from saxophonist Stan Getz and vocalist, guitarist & tunesmith Joao Gilberto. But for Keberle, it was the music of Elis Regina that led him to travels to Sao Paulo in 2017, and a ...
Amir ElSaffar: In search of ecstasy
by Leo Sidran
Amir ElSaffar has spent much of his life in search of the ecstatic moments that help connect to something bigger. In his case, he does this through his relationship with music and culture. Trying to define or even explain what he does is not so simple, even for him. He leads five ensembles and ...
Adam O'Farrill: Removing the external
by Leo Sidran
Trumpet player / composer / bandleader Adam O'Farrill on belonging to a rich musical legacy (he is the grandson of Chico O'Farrill and son of Arturo O'Farrill), how video games, literature and most of all the films of Paul Thomas Anderson and scored of Ryuichi Sakamoto have informed his work, what he learned from working with ...
Lionel Loueke: Our Story Is What We Play
by Leo Sidran
When Lionel Loueke was coming of age as a young guitarist in his home country of Benin in West Africa, there were no music stores of any kind. He would have had to travel to Nigeria—the next country over--just to get his hands on some new strings. So he made due with what he had, cleaning ...
Jim Snidero: Flying in the Face of Adversity
by R.J. DeLuke
Jim Snidero, a master of the alto saxophone, can look back on a strong career and more of the same in the future. But he admits events of 2021 have brought him immeasurable satisfaction. It's because of the recorded music he put out this year on the Salvant label--one a fresh live release and ...
Madison McFerrin is "shedding the narrative"
by Leo Sidran
Madison McFerrin says she's “Shedding the narrative about what it means to be an artist in the music industry." In fact, she says she's had to learn to shed a lot of things. Like her “identity."She calls herself an independent singer-songwriter, which is both true and also not entirely the whole story. Questlove calls ...
Artifacts: Tomeka Reid, Nicole Mitchell, Mike Reed: …and then there’s this
by Mark Corroto
Chicago's Association for the Advancement of Creative Musicians or AACM, formed in 1965, adopted the maxim “ancient to the future." The future of which they spoke, in the hands of the next generation heard here, is indeed secure. The trio Artifacts comprises the gifted successors to the AACM, cellist Tomeka Reid, flutist Nicole Mitchell, and drummer ...
Other Minds 25, Day 4
by John Chacona
Day 1 | Day 2 | Day 3 | Day 4 Taube Atrium Theater Other Minds Festival San Francisco, CA October 17, 2021 Outside the hotel on the morning of the final day of Other Minds 25, curator Harry Bernstein, nearing the conclusion of the twice-postponed festival over which ...
