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22

Article: Album Review

Lucia Cadotsch: Speak Low II

Read "Speak Low II" reviewed by Friedrich Kunzmann


On their sophomore effort, the multinational European trio around Swiss vocalist Lucia Cadotsch follows the band's initial instinct of organically dissecting and rearranging old favorites of the respective band members. This time around the trio is expanded by English keyboartdist Kit Downes' occasional organ embellishments and Lucy Railton's additions of odd melodic cello lines to conceptually ...

19

Article: Album Review

Django Bates: Tenacity

Read "Tenacity" reviewed by Pat Youngspiel


Few jazz artists go to such great lengths to make their audience feel at the same time bewildered by humor-infused technical exhaustion and smitten by charm and sheer musical beauty as Django Bates does. The English pianist and composer has gained a reputation over the years, for bringing the quirkiest and widest range of ideas and ...

19

Article: Interview

Patrick Cornelius: From ECM to Acadia National Park

Read "Patrick Cornelius: From ECM to Acadia National Park" reviewed by Friedrich Kunzmann


With a persistently active live and equally dynamic release schedule in his back pocket, alto saxophonist Patrick Cornelius continues to push the boundaries of the straight-ahead approach to jazz into a more modern context. Since his first recording as a leader--2006's self-released Lucid Dream featuring a cast of fellow Berklee College of Music Students from the ...

28

Article: Interview

Trio Grande: Three instruments, three nationalities, one supergroup

Read "Trio Grande: Three instruments, three nationalities, one supergroup" reviewed by Friedrich Kunzmann


An incessant stream of new artists, new ideas, revisitations of old ideas and ever-shifting technological inventions continues to push jazz onward, forward into the 21st Century. While most of today's music began taking root and developing in the turbulent jazz topographies of the last century, each new interpretation, extension and redesign today adds a new perspective, ...

19

Article: Album Review

Josephine Davies: How Can We Wake?

Read "How Can We Wake?" reviewed by Friedrich Kunzmann


Straight out of Europe's hippest jazz-scene, London-based saxophonist Josephine Davie's third effort with her trio, Satori, offers a collage of melodic meditations that simultaneously defy and conform to their rhythmic and harmonic frames. As All About Jazz's Chris May very fittingly puts it in an extensive conversation with the saxophonist, unlike many of her ...

34

Article: Interview

Rez Abbasi: On balancing picture with music and shifting into Django mode

Read "Rez Abbasi: On balancing picture with music and shifting into Django mode" reviewed by Friedrich Kunzmann


To really distinguish oneself in today's vast universe of guitarists, even within the confines of jazz, more and more resembles a Sisyphus task. When so much has been said and done, a specific tone or distinctive vocabulary alone no longer suffice to set an artist apart from the crowd. It is only through the sum of ...

11

Article: Album Review

Agnar Mar Magnusson: Mór

Read "Mór" reviewed by Friedrich Kunzmann


Agnar Mar Magnusson's blend of Icelandic folk tradition with jazz is of an especially smooth sort. For his newest trio effort--the follow-up to his 2018 adventure Hending, featuring New York guitarist Lage Lund--the Icelandic pianist is not only influenced by folk melodies but actually rearranges original folk songs for trio. To top it off, the trio ...

37

Article: Album Review

Joshua Redman + Brad Mehldau + Christian McBride + Brian Blade: RoundAgain

Read "RoundAgain" reviewed by Pat Youngspiel


None of these men requires introducing to anyone who has even remotely followed the contemporary jazz scene at any point over the past thirty years. Their respective bodies of work have guided and represented jazz throughout the last decades and continue to set the benchmark for original composing and improvising today. 26 years after their much-lauded ...

20

Article: Album Review

Bendik Hofseth: Trunks

Read "Trunks" reviewed by Friedrich Kunzmann


The first from a run of four albums, collectively titled Forest, Norwegian saxophonist Bendik Hofseth's Trunks sets a cozy tone which pairs minimal interplay with echoing acoustics in a modern mainstream jazz light. His sidemen all belong to the Norwegian jazz elite, most of whom have been recording together for years, prominently so for ECM. Hofseth ...

7

Article: Multiple Reviews

2 Quartets on We Jazz Records

Read "2 Quartets on We Jazz Records" reviewed by Friedrich Kunzmann


Finnish label We Jazz Records is back with two quartet recordings. Both are intriguing in their respective ways, which differ from each other in almost every aspect. Let's have a closer look... Otis Sandsjö Y-Otis 2 We Jazz Records 2020 Berlin-based, Swedish-native saxophonist Otis Sandsjö's sophomore album and ...


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