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4

Article: Album Review

Franz Koglmann / Steve Lacy: Flaps

Read "Flaps" reviewed by Mark Corroto


A bit of surface noise on the reissue of 1973's Flaps--originally issued by Franz Koglmann's Pipe Records--can be easily excused. This long out- of-print collectors vinyl has been made available by Black Monk Records, and we can now rejoice. Steve Lacy went to Vienna and made this somewhat strange recording with the then relatively ...

Album

g(ood)luck

Label: Cracked Anegg
Released: 2016
Track listing: Blues all’alba; Der Jüngling; Lavoking; Done Mari; Early Graves; L’Eclisse Twist; A Metropolitan Affair; Sweet Ardor; Summernight; What Thou Lovest Well; I AM a German Girl.

10

Article: Album Review

Ed Neumeister: Suite Ellington

Read "Suite Ellington" reviewed by Karl Ackermann


A complete summary of trombonist Ed Neumeister's musical career would date back to his pre-school years. Initially a regular fixture on the San Francisco circuit, he later immersed himself in the New York jazz scene dividing almost thirty-five years between the Duke Ellington Orchestra and the Mel Lewis Big Band. His additional experiences with classical orchestras ...

Article: Album Review

Franz Koglmann, Mario Arcari, Attila Pasztor: g(ood)luck

Read "g(ood)luck" reviewed by Alberto Bazzurro


Torna Franz Koglmann, di cui avevamo un po' perso le tracce, e rinverdisce umori e architetture del glorioso trio KoKoKo (Koglmann Koltermann Koch), sempre col suo flicorno (più di rado la tromba) a dialogare morbidamente con un'ancia e un arco grave. Oggi le geometrie appaiono se possibile ancor più oleate, l'ancia è doppia, e il lessico ...

10

Article: Live Review

Parma Jazz Frontiere 2015

Read "Parma Jazz Frontiere 2015" reviewed by Alberto Bazzurro


Casa della Musica 27-29.11.2015 La penultima tranche di una rassegna più che mai “spezzatino" partita il 25 ottobre con gli Oregon e che ha visto poi alternarsi sui vari palchi un doppio omaggio a Giorgio Gaslini, una solo performance di Roberto Bonati, direttore artistico del festival (giunto, sarà il caso di ...

Album

Join!

Label: Orf
Released: 2014
Track listing: Prolog; Song des CEO; Song der Salesmen; Song des Marketingdirektors; Song der Verkaufsleitering; Song des Moderators; Vom Traum des Menschen; Model's Song; All Or Nothing At All; No Sign Of Intelligent Design; Mobbing; What Should Be Wrong With Sex; TV Spot; Join; Intermezzo; Song der Hybris; Song der Aktivistin; The Cage; Die Entscheidung; Song des Sponsors; Rücktritt des CEO; It's Done; Epilog.

4

Article: Album Review

Franz Koglmann: Join!

Read "Join!" reviewed by Eyal Hareuveni


Austrian, Vienna-based composer Franz Koglmann always used music as a means to present his ideas, often provocative perspectives, on cultural phenomena at large. He alienated the American jazz community with A White Line (hatART, 1990), where he sketched an alternative history of jazz based on white innovative musicians. Later he reconstructed the compositional ideas of Johan ...

2

Article: Album Review

EAOrchestra: Likeidos

Read "Likeidos" reviewed by Dave Wayne


The worlds of avant-garde classical music and avant-garde jazz mingle seamlessly on Likeidos, by Italy's Electro Acoustic Orchestra. Also known as the EAOrchestra, the ensemble is co-led by trumpeter Mirio Cosottini and bassoonist Alessio Pisani, who also composed most of the music. The preponderance of double reeds--an oboist and four bassoonists--is highly unusual, especially for improvised ...

Article: Lyrics

Testimoni del '68: Franz Koglmann

Read "Testimoni del '68: Franz Koglmann" reviewed by AAJ Italy Staff


Riguardo ai movimenti del Sessantotto ho sentimenti contrastanti. Da un lato apprezzavo il desiderio di portare una ventata di libertà e di “rivoluzione" nella società borghese, ma dall'altro non riuscivo ad accettare la loro ammirazione per dittatori comunisti come Mao. Un'istanza importante era il desiderio di trasformare il tempo lavorativo in tempo libero e viceversa. Non ...

176

Article: Album Review

Paul Bley / Franz Koglmann / Gary Peacock: Annette

Read "Annette" reviewed by Raul d'Gama Rose


Those familiar with the music of Paul Bley, as well as Annette Peacock--after whom this album is named, and whose compositions are featured--will recall the nervy sense of creativity that flowed through their veins and music. In fact, the manner in which Peacock's work is described also fits Bley; both play music that is austere, exacting, ...


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