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Michael Blake: Tiddy Boom

by Glenn Astarita
Tenor saxophonist Michael Blake has played a prominent factor within the backbone of New York's progressive jazz scene, having performed with big bands, small ensembles and on Tiddy Boom, re-aligning with New York Jazz Collective comrades, pianist Frank Kimbrough and bassist Ben Allison. In-demand session drummer Rudy Royston complements a group that proffers sympathetic support to ...
Frank Kimbrough: Quartet

by Dan Bilawsky
The majority of pianist Frank Kimbrough's albums have focused on the piano trio format, but he's certainly willing to try other things; he made that clear by recording in a duo with vibraphonist Joe Locke on more than one occasion, putting together a bass-less quartet for Noumena (Soul Note, 2000), and going it alone on Air ...
I Nuovi Protagonisti dell'Orchestrazione - 1: Darcy James Argue - Ryan Truesdell - Orrin Evans

by Angelo Leonardi
Dopo la morte di Gil Evans e Thad Jones nella seconda metà degli anni ottanta e la progressiva uscita di scena di George Russell, il ruolo del compositore/orchestratore nel jazz ha sofferto di un gap generazionale. Meno marcato di quanto è apparso pubblicamente ma comunque consistente. Anche se negli anni novanta già operavano figure del calibro ...
Practice, Do You? Part 1-3

by Dom Minasi
I began studying the guitar when I was seven years old. I hated my teacher and I didn't practice much, but when I changed teachers' and I went to Joe Geneli, I regained a love for the guitar that I first had when I was four years old when I first saw Roy Rogers sing and ...
Mosaic Records: Making Jazz History

by Bob Kenselaar
No one is more astonished by the longevity of Mosaic Records than Michael Cuscuna, the veteran record producer and one-time disc jockey who founded the label together with Charlie Lourie, a former clarinetist who worked in both jazz and classical contexts before becoming an executive at CBS records, Blue Note, and elsewhere. Arguably the premier reissue ...
ArtistShare: A Record Label for the Digital Age

by Paul Naser
In the information age, as technology is transforming the way we share ideas, the creative artist seems to be in a dangerous situation. Peer-to-peer file sharing and free-streaming content are direct threats to an artists' livelihood. Combining this insight with a love for music and an appreciation for artists and the value of their work, Brian ...
Patrick Cornelius: Infinite Blue

by Edward Blanco
Veteran New York saxophonist and composer Patrick Cornelius delivers his fourth album as leader with Infinite Blue, a gem of a recording that sparkles with an A-list of players interpreting eight new originals and one cover tune in one audacious session of music. Not really an unusual feat for this three-time winner of the ASCAP Young ...
Ted Nash: The Goal Is Creativity

by R.J. DeLuke
A New York City morning often starts early, sometimes 6 a.m., for this musician who is trying to elongate the hours available in a day. There's a lot to get to. Practicing the saxophone or flute. Sitting down to go through the elusive and demanding task of writing music worthy of the plateau, which these days ...
Joe Locke: Lay Down My Heart - Blues & Ballads Vol 1

by John Kelman
In a rarefied space, Joe Locke continues to evolve, engage and impress. There simply isn't another vibraphonist of his generation with Locke's stellar chops, thorough understanding of history/tradition--not just of jazz, but of music, period--and ability to build programs based on thematic concepts that not only stand out in his gradually growing discography, but fit contextually ...
The Gil Evans Project directed by Ryan Truesdell at Jazz Standard

by Dan Bilawsky
The Gil Evans Project directed by Ryan TruesdellJazz StandardNew York, NYMay 17, 2013 Somewhere along the way, the centennial of a notable jazz figure's birth became a major cause for celebration and reflection. Unfortunately, these celebrations have occasionally become last hurrahs for the dearly departed, as their life's work fades ...