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17

Article: Album Review

Michael Blake: Tiddy Boom

Read "Tiddy Boom" reviewed by Glenn Astarita


Tenor saxophonist Michael Blake has played a prominent factor within the backbone of New York's progressive jazz scene, having performed with big bands, small ensembles and on Tiddy Boom, re-aligning with New York Jazz Collective comrades, pianist Frank Kimbrough and bassist Ben Allison. In-demand session drummer Rudy Royston complements a group that proffers sympathetic support to ...

13

Article: Album Review

Frank Kimbrough: Quartet

Read "Quartet" reviewed by Dan Bilawsky


The majority of pianist Frank Kimbrough's albums have focused on the piano trio format, but he's certainly willing to try other things; he made that clear by recording in a duo with vibraphonist Joe Locke on more than one occasion, putting together a bass-less quartet for Noumena (Soul Note, 2000), and going it alone on Air ...

2

Article: Lyrics

I Nuovi Protagonisti dell'Orchestrazione - 1: Darcy James Argue - Ryan Truesdell - Orrin Evans

Read "I Nuovi Protagonisti dell'Orchestrazione - 1: Darcy James Argue - Ryan Truesdell - Orrin Evans" reviewed by Angelo Leonardi


Dopo la morte di Gil Evans e Thad Jones nella seconda metà degli anni ottanta e la progressiva uscita di scena di George Russell, il ruolo del compositore/orchestratore nel jazz ha sofferto di un gap generazionale. Meno marcato di quanto è apparso pubblicamente ma comunque consistente. Anche se negli anni novanta già operavano figure del calibro ...

29

Article: On and Off the Grid

Practice, Do You? Part 1-3

Read "Practice, Do You? Part 1-3" reviewed by Dom Minasi


I began studying the guitar when I was seven years old. I hated my teacher and I didn't practice much, but when I changed teachers' and I went to Joe Geneli, I regained a love for the guitar that I first had when I was four years old when I first saw Roy Rogers sing and ...

14

Article: Interview

Mosaic Records: Making Jazz History

Read "Mosaic Records: Making Jazz History" reviewed by Bob Kenselaar


No one is more astonished by the longevity of Mosaic Records than Michael Cuscuna, the veteran record producer and one-time disc jockey who founded the label together with Charlie Lourie, a former clarinetist who worked in both jazz and classical contexts before becoming an executive at CBS records, Blue Note, and elsewhere. Arguably the premier reissue ...

11

Article: Record Label Profile

ArtistShare: A Record Label for the Digital Age

Read "ArtistShare: A Record Label for the Digital Age" reviewed by Paul Naser


In the information age, as technology is transforming the way we share ideas, the creative artist seems to be in a dangerous situation. Peer-to-peer file sharing and free-streaming content are direct threats to an artists' livelihood. Combining this insight with a love for music and an appreciation for artists and the value of their work, Brian ...

4

Article: Album Review

Patrick Cornelius: Infinite Blue

Read "Infinite Blue" reviewed by Edward Blanco


Veteran New York saxophonist and composer Patrick Cornelius delivers his fourth album as leader with Infinite Blue, a gem of a recording that sparkles with an A-list of players interpreting eight new originals and one cover tune in one audacious session of music. Not really an unusual feat for this three-time winner of the ASCAP Young ...

11

Article: Interview

Ted Nash: The Goal Is Creativity

Read "Ted Nash: The Goal Is Creativity" reviewed by R.J. DeLuke


A New York City morning often starts early, sometimes 6 a.m., for this musician who is trying to elongate the hours available in a day. There's a lot to get to. Practicing the saxophone or flute. Sitting down to go through the elusive and demanding task of writing music worthy of the plateau, which these days ...

5

Article: Extended Analysis

Joe Locke: Lay Down My Heart - Blues & Ballads Vol 1

Read "Joe Locke: Lay Down My Heart - Blues & Ballads Vol 1" reviewed by John Kelman


In a rarefied space, Joe Locke continues to evolve, engage and impress. There simply isn't another vibraphonist of his generation with Locke's stellar chops, thorough understanding of history/tradition--not just of jazz, but of music, period--and ability to build programs based on thematic concepts that not only stand out in his gradually growing discography, but fit contextually ...

4

Article: Live Review

The Gil Evans Project directed by Ryan Truesdell at Jazz Standard

Read "The Gil Evans Project directed by Ryan Truesdell at Jazz Standard" reviewed by Dan Bilawsky


The Gil Evans Project directed by Ryan TruesdellJazz StandardNew York, NYMay 17, 2013 Somewhere along the way, the centennial of a notable jazz figure's birth became a major cause for celebration and reflection. Unfortunately, these celebrations have occasionally become last hurrahs for the dearly departed, as their life's work fades ...


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