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Sidony Box: Rules
by Glenn Astarita
French mix-master Venux Deluxe (Magma, Gong), duly captures his fellow countrymen's exuberant sound amid his penchant for detail on the trio's third album which is a powerful composite of jazz power trio fare and other stylistic factors. Thumping backbeats, thorny time signatures, pumped-up grooves and a few quieter moments make for a comprehensive program.
Erik Truffaz Quartet: El Tiempo De La Revolución
by Bruce Lindsay
Across a twenty-year recording career, Swiss-born trumpeter Erik Truffaz has explored jazz, rock, electronica, dance and ambient musics. El Tiempo De La Revolución, his tenth album for Blue Note France, mixes jazz, '80s soul and a touch of Nordic cool to create some intriguing soundscapes and moods.El Tiempo De La Revolución is credited to ...
Global Circulation Of Jazz - International Conference - Paris
Call for Papers and panelists Below is a an extract from the attached CFP - Call for papers (available in both English and French). A conference poster is also attached. An international conference entitled “Global Circulations of Jazz" will be held on June 27-28, 2013, at the Musée du Quai Branly. Bringing together specialists, anthropologists, historians, ...
Sudo Quartet: Live at Banlieue Bleue
by Eyal Hareuveni
The pan-European Sudo Quartet is comprised of four true heroes of free improvisation: French double bassist Joëlle Léandre; Portugese violinist Carlos Zingaro; Italian trombonist Sebi Tramontana; and German drummer Paul Lovens. All have played together in various formats for more than two decades, playing contemporary music, free jazz and spontaneous, on-the-spot improvisations, expanding the spectrum of ...
Orchestre National de Jazz: Piazzolla!
by Jeff Dayton-Johnson
The Argentinian composer, bandoneón player and tango revolutionary Astor Piazzolla (1921-1992) was no stranger to jazz. As a music student in Paris in the mid-1950s, he was inspired by the joyous improvisation he witnessed in the effervescent Left Bank jazz scene. He would go on to collaborate with baritone saxophonist Gerry Mulligan (Summit/Reunion Cumbre, Erre, 1974) ...
Sylvaine Helary: Sylvaine Helary Trio
by Anthony Shaw
The French have long had an affinity for the surrealistic and the absurd--didn't they invent both expressions? Among the ranks of the leading left-field artists (from, of course, the left bank--the traditions stretch back to Antonin Artauld, the first to promote the first playable electronic keyboard, the Ondes Martenot, and Pierre Schaeffer, who created the expression ...
Manu Katche: Manu Katche
by Glenn Astarita
A celebrated session drummer and solo artist, Manu Katche's infamous method of crafting a backbeat may parallel the lyrical, dancelike aura for which late jazz drummer Paul Motian was noted. However, Katche's jazz roots are largely evident via his small group formats for ECM Records. On this self-titled release comprised of a multinational quartet, rock-solid pulses, ...
Celine Bonacina Trio: Open Heart
by Bruce Lindsay
The baritone saxophone is right at the heart of Céline Bonacina's Open Heart, her second album for ACT Music. This particular sax is too often consigned to the role of “rhythm saxophone," operating at the lower reaches of its register, with only a handful of players making full use of its potential. Bonacina, a French saxophonist ...
Eberhard Weber: Positive Pragmatism
by John Kelman
There are plenty of positives about getting older: wisdom, maturity and a more balanced outlook are just three of them. But it would be unrealistic to suggest that there aren't a few negatives thrown in there. When bassist Eberhard Weber woke up in his hotel room on the morning of April 23, 2007, in Berlin, Germany, ...
Carlos Alves "Zingaro": Live At Total Meeting
by John Sharpe
The cover to Live At Total Meeting depicts a maze, and that's a good metaphor for free improvised music. No-one knows where they are going or how they will get there. Even whether they have arrived or not is open to dispute. How the participants achieve resolution (of a sort)--negotiated, as it often is, without verbalization--is ...
