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About Fats Navarro
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Fats Navarro
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“Fats was a spectacular musician because, in a time when cats arrived on the scene with nothing, he came on with everything: he could read, he could play high and hold anybody's first trumpet chair, he could play those singing, melodic solos with a big beautiful sound nobody could believe at the time, and he could fly in fast tempos with staccato, biting notes and execute whatever he wanted with apparently no strain, everything clear. And every note meant something. You know, there are those kinds of guys who just play a lot of notes, some good, some bad. Fats wasn't one of those. He made his music be about each note having a place and a reason
September Birthday Salutes
by Marc Cohn
September birthdays this week on G&M! Pianists: Gene Harris, Horace Silver, Onaje Allan Gumbs & Bud Powell; organists Jack McDuff & Akiko Tsuruga; guitarist Peter Bernstein; reeds (lots of 'em!) Art Pepper, Tony Dagradi, Julian “Cannonball" Adderley, Bob Reynolds, Gary Bartz, Ken Vandermark, Oliver Lake & John Coltrane; drummers Matt Wilson & Elvin Jones; trumpeter Fats ...
Jazz Musician of the Day: Fats Navarro
All About Jazz is celebrating Fats Navarro's birthday today! “Fats was a spectacular musician because, in a time when cats arrived on the scene with nothing, he came on with everything: he could read, he could play high and hold anybody\'s first trumpet chair, he could play those singing, melodic solos with a big beautiful sound ...
Bird's Trumpets
by Matt Lavelle
Looking closely at all the trumpet players that played with Thelonious Monk in a piece I wrote in March 2018, I decided to continue the focus, and explore the trumpet players that played with Charlie Parker. As challenging as the trumpet is to play, playing Bebop raised the technical bar. Playing with Charlie Parker at fast ...
Jazz on Central Avenue - Bebop in Los Angeles (1945 - 1948)
by Russell Perry
Most of the pioneering bebop musicians we have featured in the past several programs were based in New York—Bird, Dizzy, Monk, Bud Powell, Coleman Hawkins, Fats Navarro, J.J. Johnson, Max Roach. While New York may have dominated the modern music scene, it wasn't the only scene. The wartime economy in southern California brought an influx of ...
Tadd Dameron, Fats Navarro, Sonny Stitt & JJ Johnson (1946 - 1950)
by Russell Perry
In the past several hours of Jazz at 100, we have featured the music of Dizzy Gillespie, Charlie Parker, Miles Davis, Bud Powell, Thelonious Monk, and Max Roach. In this hour, we will continue to present bebop innovators—pianist/composer Tadd Dameron and his frequent (but short-lived) collaborator Fats Navarro, the next great bebop trumpeter after Dizzy Gillespie, ...
Al Hood and the H2 Sextet: Jazz Muses
by Nicholas F. Mondello
There's something fascinating about the word “inspire." We know from Latin that the word derives from inspirare, meaning “to breathe" or “blow into." It is the perfect theme as presented for trumpeter Al Hood and the H2 Sextet's terrific album, Jazz Muses. Not only is Hood inspired by his Jazz Muses, but his blowing here takes ...
Brad Goode: That's Right!
by Nicholas F. Mondello
The first collaboration between trumpeter Brad Goode and saxophonist Ernie Watts is a case study in superior musicianship and improvisation. It also illustrates how two frontline performers and their supporting band can achieve excellence as a creative ensemble. The kickoff, “Half Moon," an original from pianist Adrean Farrugia, is reminiscent of the popular ...
The Philly Pops Big Band with Terell Stafford and Guests at the Kimmel Center
by Victor L. Schermer
The Philly Pops Big Band featuring Terell Stafford The Kimmel Center for Performing Arts Philadelphia, PA January 19, 2019 The Philly Pops wide-berthed orchestra includes some of the finest working jazz musicians in the city. The Pops' lead trumpet chair, Matt Gallagher, periodically assembles them as the “Philly ...
Cliff Brucker: Full Circle Vol. 2
by Don Phipps
On Full Circle Vol 2, Albany, New York-based drummer Cliff Brucker and friends reach back to the swing and bop jazz periods to showcase their talents on a set of first-rate standards. These musicians clearly understand the bop trade and what emerges from their collective knowledge is solid and assured music. The entire affair is like ...
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