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10

Article: Album Review

Terence Blanchard: Magnetic

Read "Magnetic" reviewed by Mark F. Turner


One of today's foremost jazz musicians and composers Terence Blanchard's achievements have soared since his formative days in Art Blakey's Jazz Messengers to a trajectory of successful bands, recordings and award winning film scores such as 2007's A Tale of God's Will (A Requiem for Katrina) (Blue Note). He's still pursuing new challenges with the upcoming ...

2

Article: From Far and Wide

Record-Busting 100+ Bassists Serenade Tivoli

Read "Record-Busting 100+ Bassists Serenade Tivoli" reviewed by Fradley Garner


Record-Busting 100+ Bassists Serenade TivoliThe seeds were planted by Oscar Pettiford, the seminal American cellist and bassist who put down roots in Copenhagen in 1958, and by the homegrown virtuoso Niels-Henning Ørsted Pedersen, who played his vintage Italian bass like the nimblest-fingered guitarist when he wasn't bowing like Giovanni Bottesini. In August, 2012, the ...

6

Article: Live Review

Terence Blanchard: New York, NY, June 21, 2012

Read "Terence Blanchard: New York, NY, June 21, 2012" reviewed by Bob Kenselaar


Terence Blanchard The Jazz Standard New York, NY June 21, 2012Terence Blanchard is an important presence in jazz today on a number of levels. He's one of the most accomplished trumpet players around, consistently showing a great command of the instrument, a distinctive voice, and a highly inventive approach ...

57

Article: Live Review

Undead Music Festival, Greenwich Village Edition: New York, NY, May 9, 2012

Read "Undead Music Festival, Greenwich Village Edition: New York, NY, May 9, 2012" reviewed by Daniel Lehner


Undead Music FestivalGreenwich Village EditionKenny's Castways, Sullivan Hall and Le Poisson RougeNew York, NYMay 9th, 2012Despite its constant and ambitious expansion into other geographic and spatial situations, the Undead Music Festival (formally the Undead Jazz Festival, a change that says more than a bit about the nature of the ...

55

Article: Album Review

Linda Oh: Initial Here

Read "Initial Here" reviewed by Mark F. Turner


President Theodore Roosevelt's famous quote, “Walk softly and carry a big stick," epitomizes Linda Oh, the soft-spoken bassist/composer who draws total respect with her intrepid musicianship. With her highly acclaimed self-released debut, Entry (2010), and increased visibility through recording dates and gigs like Dave Douglas' “Tea for 3" Tour, Oh is emerging as one of jazz's ...

46

Video

The Vicarious Life

Featuring the music of Fabian Almazan
Duration: 9:59

Live at Cornelia Street Cafe August 31st, 2010 Fabian Almazan: piano; Linda Oh: bass; Justin Brown: drums.
141

Article: Album Review

Jake Saslow: Crosby Street

Read "Crosby Street" reviewed by Mark F. Turner


One of 2011's many notable debuts is saxophonist Jake Saslow's Crosby Street, an ode to the street in New York's iconic SoHo, where the musician's formative years recalled the neighborhood's sights, music, and people. An analogy is formed between the music and the community, one that speaks of a distinct personality carried in Saslow's full-bodied horn ...

Album

Personalities

Label: Biophilia Records
Released: 2011
Track listing: Shostakovich String Quartet No.10 (3rd Movement) Opus 118; H.U.Gs (Historically Under-Represented Groups); Personalities; The Vicarious Life; Grandmother Song; Bola de Nieve; Russian Love Story; Sin Alma; Tres Lindas Cubanas; Una Foto.

227

Article: Album Review

Fabian Almazan: Personalities

Read "Personalities" reviewed by Mark F. Turner


Fabian Almazan began creating some buzz with his sparkling piano chops in trumpeter Terence Blanchard's group on Choices (Concord Music Group, 2009). Originally from Havana, Cuba, Almazan is not only one of the young rising stars in New York, but is also classically trained and has received a number of awards as a composer in film, ...

232

Article: Album Review

Chris Dingman: Waking Dreams

Read "Waking Dreams" reviewed by David Rickert


Judging by Waking Dreams, Chris Dingman has spent a lot of time listening to Bobby Hutcherson's classic Blue Note albums. Given that his instrument of choice is the vibes, it should come as no surprise, but it's uncanny how much Dingman's debut resembles classics like Oblique (1967) and Patterns (1968) in sound and feel. Heck, there's ...


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