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Ikarus: Through birds, through fire, but not through glass
by Geannine Reid
Film music without a film is the theme for the Swiss quintet calling themselves Ikarus. Their debut EP is entitled Through birds, through fire, but not through glass, named after Yves Tanguy's painting. In Tanguy's surreal otherworldly landscape, with an ultra- realistic depiction of the unreal by employing a deliberate, precise method of painting, the painter ...
Harold Mabern: Right On Time
by C. Andrew Hovan
It's always cool when you get in on the ground floor of something new and exciting. That's how it feels to have spent time delving into the music being documented by a new jazz label. Since 1998, Smoke has been one of the most happening places in Manhattan to take in some live jazz. A bit ...
Franklin Kiermyer: Further
by John Kelman
The number of jazz musicians whose lives and music have been impacted by John Coltrane is truly legion; few, however, have extrapolated the exploratory space travelled by the late, great saxophonist in his final two years as intensely--and successfully--as Canadian expat, one-time New York resident and now Oslo-dwelling drummer Franklin Kiermyer. While his international profile has, ...
Uri Caine: Gershwin Rhapsody in Blue
by C. Michael Bailey
What is to become of the Great American Songbook, that cultural document that served as scripture to the jazz community for the better part of the Twentieth Century? Today, what we think of as jazz has flown so far and wide that it's definition encompasses everything from Craig Taborn's Chants to Robert Glasper's Black Radio and ...
Wagner e Venezia
by C. Michael Bailey
Released in 1997, the Uri Caine Ensemble's Wagner e Venezia somehow evaded proper consideration within the electrons of All About Jazz. No more. Caine and his unique brand of interpretation has long been well-regarded at the magazine. Wagner e Venezia is one of the pinnacles among pinnacles from the pianist/composer's early output. Wagner e Venezia is ...
The Artistry of the Standard
by Andrew Luhn
On the homepage of Misha Tsiganov's website is a quote that reads “Falling in love with jazz is exactly like falling in love with a person... Except with jazz you never get over it..." This quote serves as an appropriate introduction for the Russian-born pianist's Criss Cross debut, The Artistry of the Standard. On this album ...
Johnny Winter: True to the Blues - The Johnny Winter Story
by John Kelman
With the release of From His Head to His Heart to His Hands earlier this year, Legacy Recordings proved it was possible to put together a career-spanning retrospective, even if the artist's discography--in this case, the late blues guitarist Mike Bloomfield--spanned several disconnected labels. Now, less than one month later, Legacy does it again with yet ...
Beethoven: Missa Solemnis
by C. Michael Bailey
Sir John Eliot Gardiner and his Monteverdi Choir will celebrate their Golden Anniversary with a performance of Claudio Monteverdi's Vespro della Beata Vergine 1610 at King's College Cambridge on March 5, 2014. It was 50 years to-the-day, in the same venue, that Gardiner and his Choir performed the Vespers as their debut. The only thing Gardiner ...
Keith Jarrett: Arbour Zena
by John Kelman
Given his overall focus on just two projects over the past three decades--with the exception of relatively rare diversions into the classical world or recordings like Jasmine (2010), an intimate duo date with bassist Charlie Haden--it's easy to forget that there was a time when pianist Keith Jarrett was not just one of the most innovative ...
The Necks: Open
by Phil Barnes
Not many artists would respond favourably to a question on how they felt about audience members falling asleep in one of their performances. The Necks, however, are not like other bands--bass player Lloyd Swanton quipping in a recent interview that “I have no objection to audience members sleeping, as long as they don't snore and wake ...
