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Art Pepper: Art Pepper Live at Fat Tuesday’s
by C. Michael Bailey
The discovery and release of Art Pepper Live at Fat Tuesday's is a surprising and welcome event that has some precedence in jazz reportage. Art Pepper, 1926-1982" is a much anthologized obituary on Pepper by jazz writer Gary Giddins, originally published in his book Rhythm-a-ning (Da Capo Press, 1985) written shortly after the saxophonist's death. In ...
Grateful Dead – Dick's Picks Volume Four: Fillmore East 2/13-14/70
by Doug Collette
Quite apart from the the scintillating performances spread over (the first ever release of) three CD's on the Grateful Dead's Dick's Picks Volume 4, this title has all the earmarks of a classic entry into this seminal archive series. It was recorded at the fabled Fillmore East, the now defunct New York City venue operated by ...
THRAK BOX - Live and Studio Recordings 1994-1997
by John Kelman
After three years spent extensively focusing on its 1972-'74 lineup--documented over a massive 66 CDs, DVDs and Blu Rays (plus some additional downloads) on Larks' Tongues in Aspic (40th Anniversary Series Box) (Panegyric, 2012); The Road to Red (Panegyric, 2013); and Starless (Panegyric, 2014)--King Crimson turns the clock ahead 20 years to an almost completely different ...
Sexwitch: Sexwitch
by Phil Barnes
With Natasha Khan, the singer of Bat for Lashes and now Sexwitch, you can never be quite sure what is coming next. On the one hand her trademark experimental pop has progressively reached out to a more mainstream audience in the years between 2006's Fur and Gold and 2012s The Haunted Man, yet there remains the ...
Brad Mehldau: 10 Years Solo Live
by Nenad Georgievski
It is interesting how solo piano performance holds a special, privileged place in jazz music. What is even more interesting is how artists have gone to renew this format over and over again as time went on. Along the way they have expanded the language of improvised music by exploring novel paths of thematic developments. An ...
Wes Montgomery: In The Beginning-Early Recordings from 1949-1958
by Hrayr Attarian
Guitarist Wes Montgomery, despite his tragically short life, was very prolific and immensely impactful. Equally adept at sophisticated instrumental virtuosity and lighter, more commercially appealing sounds, Montgomery influenced majority of guitar players who appeared on the jazz scene during the 1960s and after. Montgomery cut his first record Fingerpickin' for Pacific Jazz in 1958 ...
Anthony de Mare: Liaisons: Re-Imagining Sondheim from the Piano
by John Kelman
It looks, on paper, like a striking idea. Take a pianist (Anthony de Mare) who has been a virtuosic rising star in the classical and avant-garde arenas over the past quarter century. Commission a set of 36 interpretations, for solo piano, of music by one of musical theatre's preeminent composers, Stephen Sondheim. Choose participants ranging from ...
Arvo Part: Musica Selecta: A Sequence By Manfred Eicher
by C. Michael Bailey
Talented, urbane, and well-informed colleagues like John Kelman often make for a difficult act to follow. Kelman has long been the All About Jazz resident expert on all things ECM. Occasionally, his reportage does intersect with mine as in the present case of Estonian composer Arvo Pärt (b. 1935). I want to refer the reader first ...
John Scofield: Past Present
by Doug Collette
During the course of his storied career, guitarist/composer John Scofield has never shown much of of a predilection to repeat himself. Rather, he navigates through projects as diverse as trio outings, experiments with horns, collections of ballads and collaborations with the likes of Gov't Mule and the Grateful Dead's Phil Lesh in a such a way ...
Matthew Halsall & the Gondwana Orchestra: Into Forever
by Phil Barnes
Some artists epitomise the times they live in, while others go their own way, standing apart from the herd, ploughing their own furrow. As the self-aggrandising, dishonest and downright greedy seem to gain ever greater prominence in our world, those whose work can provide a few moments of respite, refuge and reflection become more and more ...


