Results for "Experimental Jazz"

Arktet

Born: January 1, 1970

Arktet is a new trio from Melbourne/Naarm, recently formed by three virtuosos in their fields: Robert Vincs on woodwinds, Niko Schauble on drums and Adam Nash on generative virtual environments. They came together to push the envelope of improvisatory music practice, based around Adam's 'generative virtual environments'. These are playable audiovisual environments, like game worlds, coded to generatively compose on the fly, different every time they're played. Rob on saxes and flute, and Niko on drums, respond to and build upon these environments, using their immense experience in improvisation to create immersive new worlds of sonic experience.

Peter Knoll

Born: January 4, 1965

GERMAN - AMERICAN GUITARIST PETER KNOLL Winner of GuitarPlayerZen Magazine’s Award (November 2008)... „Peter is a world class player, and even better, he has his own unique style and voice. Something that rarely one finds.“ His improvisational playing is truly inspiring!" Working with greats like Bassist Mark E. Peterson (Cassandra Wilson, Lyle Lovett, Joan Baez) as well as Percussionists Hahlil (Roberta Flack), Gerardo Velez (Jimi Hendrix, David Bowie, Spyro Gyro) and Mike D. (Beastie Boys). On a rare occasion, he has been performing for German Countess Gloria von Thurn und Taxis

Julie Joslyn

JULIE JOSLYN (Alto saxophone, live electronics, violin, vocals) is a native New Yorker. She is the co-founder of the avantjazz duo, ICONOCLAST. Joslyn has played with the Indian-influenced rock quintet Church of Betty, and can be heard on MacLean and Ponomarenko's album "Music Without Computers" and as guest screamer on Doctor Nerve's "Skin." Joslyn studied for a number of years with soprano saxophonist and composer Jane Ira Bloom. In addition, she is a practicing psychoanalyst and painter.

For More information about Julie Joslyn please consult The Encyclopedia of Jazz Musicians by Lewis Porter: http://www.jazz.com/encyclopedia/joslyn-julie

ICONOCLAST is a duo from New York City comprised of Julie Joslyn (alto saxophone, live electronics, violin, vocals) and Leo Ciesa (drums, percussion, keyboards, vocals)

Iconoclast

Iconoclast is a duo from New York City comprised of Julie Joslyn (alto saxophone, live electronics, violin, vocals) and Leo Ciesa (drums, percussion, keyboards, vocals). Ciesa and Joslyn have been composing and performing together since 1987 and have developed a bold and distinctive sound. Iconoclast's music and performance is known for its intensity, physicality and "larger than duo" impact. Acoustic and electronic sounds exist side by side as the music moves between improvisation and composition without stylistic limitation.As a review in "Culture Catch" states "Falling in the cracks between genres, sounding like nobody else on the scene, Joslyn and Ciesa have carved out a brave nich for themselves as Iconoclast."

Iconoclast has performed extensively throughout the United States, Canada and Europe

Nicolas Ojeda

Born: November 19, 1975

Born in Córdoba Argentina in 1975, he began his studies of music in 1989. Since 1994 he live in Buenos Aires working actively in several type of projects from funk to avant garde.

He released three Solo albums, "Posibles días en sueños" (2013 PAI records), "MAYO" (2018 PAI records) and "REBOOT [Sesiones Pandémicas]" (2022 ears&eyes records) all available on the platforms, social networks and www.nicolasojeda.com.ar

Gaya Feldheim Schorr

Born: October 6, 1993

Gaya Feldheim Schorr is a vocalist, multi-instrumentalist and photographer originally from Tel Aviv - Jaffa and currently based in Marseille, France, after spending almost a decade in New York City. 'I Have Considered The Lilies' is Gaya’s vibrant re-imagination of the music of Connie Converse, an enigmatic singer-songwriter who left behind a staggering archive of music and texts after her disappearance in 1974. Alongside a group of cult-favorite Brooklynite collaborators including Grey Mcmurray (guitar), Tal Yahalom (guitar), and Eva Lawitts (bass), Gaya invites the listener into the intimate world of Converse’s songs, poems, and ontological wrestlings with equal doses of warmth and melancholy

David Cain

Born: March 2, 1955

David Cain. An acclaimed revolutionary of “unbroken media and art”, David Cain is a composer, musician, vocalist, filmmaker, author, artist… in a class with music’s most forward-reaching innovators because of his groundbreaking multimedia explorations using old and new tech. David Cain’s musical journey includes studies with international award-winning composer, Dr. Roque Cordero (Arnold Schoenberg), writing for symphony, movies and the Stan Kenton Big Band, and making radio music while on roster of Geffen Records in the '80s with his band, Bux da Hoota.

David's decade-long collaboration, Wertico Cain & Gray, with 7-time Grammy winner Paul Wertico (Pat Metheny Group), and bassist/cellist/composer, Larry Gray, has led to new music and art, winning a prestigious "Best Album - Live Performance" award along the way, and gathering audiences in search of new worlds of sound-making and digital cinema

Mem Nahadr

Born: April 9

Mem Nahadr (/nəˈhɑːd/ nə-HAHD), also known as M. Nahadr and simply "M", is an American performance artist and multi-octave vocalist having access to the whistle register and best known for the performance of the song "Butterfly", composed by Yoko Kanno and lyricized by Chris Mosdell for Cowboy Bebop. She is co-produced by Grammy Award Winner, James P. Nichols. She is also an author, composer, poet, filmmaker, and human rights activist.

Rex Shepherd

Guitarist and composer Rex Shepherd has been writing and performing music for more than 30 years. Initially a rock and blues player, Shepherd became entranced by the playing of guitarist Jim Hall on the first listen. He began learning the jazz language on guitar, studying at the University of Akron in Ohio, growing toward becoming a known performer and composer in the Cleveland area. His musical journey began with an affinity for the more "outside" music of Wayne Shorter, Ornette Coleman, Sam Rivers, and Anthony Braxton. His current style, which is grown from the jazz tradition, employs a liberal application of melody and suggestive harmonies enabling free expression of musical ideas in a context he refers to as conceptual improvisation

Sue Lynch