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38th International Jazzfestival Saalfelden
by AAJ Staff
International Jazzfestival of Saalfelden Saalfelden, AustriaAugust 24-27, 2017 Once again, set against the amazing backdrop of the Austrian Alps, the International Jazzfestival of Saalfelden offered a unique perspective on the most adventurous jazz from around the world, as it does since its inception in the 1970s. It is no coincidence ...
PunktFestival 2017
by Luca Vitali
Punkt Festival Kristiansand, Norvegia Varie sedi 31.8-2.9.2017 Come sempre Punkt è un festival fuori dall'ordinario e all'insegna dell'imprevisto e dell'imprevedibile. Una sorta di Industria 4.0 della musica: fuori dal “circolo" dei tour estivi, tipico dei festival jazz, e poco interessato a fotografare il passato e il presente, è invece molto attento ...
Evan Parker
by John Eyles
In his biography of Robert Wyatt, Different Every Time (Serpent's Tail, 2015), author Marcus O'Dair describes Evan Parker as “perhaps the finest British free-jazz saxophonist of his generation." The only words in that phrase that seasoned Parker followers might take issue with are “perhaps," “British" and “free-jazz," preferring just to describe him as the finest improvising ...
Satoko Fujii / Wadada Leo Smith / Natsuki Tamura / Ikue Mori: Aspiration
by Karl Ackermann
The soul of Gato Libre, and the glue that holds numerous global jazz orchestras together, are in the musical and personal partnership that has mastered creative music in a variety of formations and settings. Satoko Fujii and Natsuki Tamura are prolific and boundless and Aspiration is the latest of their more than sixty recordings together. Aspiration ...
Jazzfestival Saalfelden 2017
by Stefano Merighi
Fotografare lo stato dell'arte nell'ambito del jazz e delle musiche limitrofe è compito che il festival di Saalfelden svolge assai bene ormai da decenni. Non solo la rassegna austriaca non rinuncia ad alcuna delle sue prerogative estetiche (apertura massima rispetto agli stili contemporanei, volontà di anticipare tendenze, capacità di realizzare prime esecuzioni mondiali), ma anzi, trova ...
John Butcher/John Edwards/Mark Sanders: Last Dream of the Morning
by Mark Corroto
For good free improvisation three things are required. First, musicians who are masters of their instruments, next, players who have created their own language, and, finally, performers who are simpatico. The first prerequisite is obvious, unless of course you were able to appreciate Ornette Coleman when he took up the violin without first learning the instrument. ...
Konstrukt: L.O.T.U.S.
by Mark Corroto
With each new Konstrukt release I get anxious, wondering just where these Istanbul musicians, and current bearers of the free jazz banner, are headed next? To our Western ears, they seemingly arrived from nowhere. Turkish free jazz, really? But it didn't take long before we became familiar with names like guitarist Umut Çağlar, saxophonist Korhan Futacı, ...
Forget Old Europe: 15 European Jazz Musicians You Need To Know About
by AAJ Staff
Since the first half of the 20th century, the Old Continent has played a pivotal role both in welcoming and supporting jazz artists from the United States. Over the following decades it has expressed generations of passionate musicians with increasingly original languages and ever greater improvisatory skills. In the 21st century there are countless ...
Alexander von Schlippenbach: Warsaw Concert
by Rosarita Crisafi
Una formazione leggendaria e portabandiera della via europea del jazz: il trio del pianista Alexander von Schlippenbach assieme a Evan Parker e Paul Lovens. Dopo più di quattro decenni continuano a stupire per la loro freschezza musicale. In Warsaw Concert si ascolta una lunga suite di 51 minuti, registrata dal vivo a Varsavia il 16 ottobre ...
Per Gärdin/Pedro Lopes/Rodrigo Pinheiro: History Of The Lisbon Chaplaincy
by Mark Corroto
It's interesting just how much place influences a recording. Was the session captured in a hermetically sealed studio or a noisy jazz club? Is the sound engineered or merely captured? And how does the architecture of the recording space effect the sound? Sound experimentalist Pauline Oliveros often recorded in an empty water cistern, timing notes against ...
