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ARTICLE: LIVE REVIEW

Pittsburgh Celebrates the Guitar with "Four on Six" at Alphabet City

Read "Pittsburgh Celebrates the Guitar with "Four on Six" at Alphabet City" reviewed by Mackenzie Horne

For countless bluesmen, rockers, and bossa players, the guitar is the path to jazz; that trail was blazed as early as the 1920s by practitioners such as Eddie Durham, Eddie Lang, Django Reinhardt, and Charlie Christian. For Pittsburgh guitarist Mark Strickland, it was Kenny Burrell's Midnight Blue (Blue Note, 1963) that first sparked his interest in ...

ARTICLE: ALBUM REVIEW

Richie Cole: Cannonball

Read "Cannonball" reviewed by Rob Rosenblum

Richie Cole and Julian “Cannonball" Adderley. It's as natural as soap and water. In an interview on this site, Cole proclaimed that the famed jazz musician was his favorite altoist. Like Adderley, Cole can cover a wide range of music--from the hardest of hard bop to commercial ditties. And also like Adderley, for Cole the audience ...

ARTICLE: ALBUM REVIEW

Tony DePaolis: The Contemporary Dynamic

Read "The Contemporary Dynamic" reviewed by Mackenzie Horne

Take everything you know about what a debut record should and should not be. Now promptly throw those ideas into oncoming traffic and don't look back. Young Pittsburgh bassist Tony DePaolis has redefined the boundaries of the all-important debut record with The Contemporary Dynamic. It's a concept album. It's a double album. ...

ARTICLE: ALBUM REVIEW

Richie Cole: Latin Lover

Read "Latin Lover" reviewed by Rob Rosenblum

Last year alto saxophonist/arranger Richie Cole released an album called the Many Minds of Richie Cole. Latin Lover could easily have carried the same title. There are indeed many minds in Cole's head-- often seemingly incompatible with each other. Several of them are in this CD. Cole was grabbed out of Berklee School of ...


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