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234

Article: Album Review

Oliver Lake: Makin' It

Read "Makin' It" reviewed by Hrayr Attarian


Changing a few elements of a well known musical format may be all that is needed to create a new and fresh sound. Makin' It, Oliver Lake has taken the old saxophone organ trio popularized in the 1950s by the likes of Ike Quebec and made it into a new vehicle for 21st ...

658

Article: Extended Analysis

Eric Dolphy: Out To Lunch! - 45 rpm Reissue

Read "Eric Dolphy: Out To Lunch! - 45 rpm Reissue" reviewed by Matt Marshall


Eric Dolphy Out To Lunch! Blue Note / Music Matters 2009 (1964) Few jazz fans still need an introduction to reed player Eric Dolphy's 1964 masterpiece, Out to Lunch!. It's an album people tend to come to fairly early on in their love affair with the music (assuming, that is, ...

287

Article: Live Review

The Freddie Hubbard Tribute Band at the Indianapolis Jazz Festival

Read "The Freddie Hubbard Tribute Band at the Indianapolis Jazz Festival" reviewed by AAJ Staff


The Freddie Hubbard Tribute BandIndianapolis Jazz FestivalIndianapolis, IndianaSept 25, 2009When losing a trumpeter of such sterling agility, originality and influence as Freddie Hubbard, it's only natural to pay tribute to his passing. So it was at the Madame Walker Theater in Indianapolis on September 25th under the direction of jazz educator ...

361

Article: Album Review

Joe Martin: Not By Chance

Read "Not By Chance" reviewed by Greg Camphire


Bassist/composer Joe Martin has assembled an all-star cast for his second release as a leader, Not By Chance. All of the tunes, with one exception, are written by Martin, and his interplay with pianist Brad Mehldau, saxophonist Chris Potter and drummer Marcus Gilmore is masterful. The group explores rhythms through unending variations, creating instant responses with ...

1,362

Article: Interview

Fred Hersch: No Limits

Read "Fred Hersch: No Limits" reviewed by Maxwell Chandler


From the start of his career as a sideman in the 1970s for such jazz luminaries as Joe Henderson, Art Farmer and Stan Getz to his own ensembles and solo projects, there has always been a great diversity and intensity to Fred Hersch's art. Having won a Guggenheim Memorial Fellowship for composition (2003) and having been ...

801

Article: Live Review

Summertime Jazz: Still Alive and Swingin' in Los Angeles

Read "Summertime Jazz: Still Alive and Swingin' in Los Angeles" reviewed by Chuck Koton


When the news hit that the Jazz Bakery's last shows (at least at its Culver City location) would take place at the end of May, I feared that a bleak summer lay ahead for Angeleno jazz lovers. Even the reassurances and optimism of the Bakery's long-time director, Ruth Price, about reopening at a new site, did ...

375

Article: Album Review

Josh Berman / Aram Shelton / Weasel Walter: Last Distractions

Read "Last Distractions" reviewed by Mark Corroto


Last Distractions is a highly ambitious project, undertaken with just two horns and a drummer--three horns, actually, as reedist Aram Shelton plays two different ones. This trio of Shelton, cornetist Josh Berman and drummer Weasel Walter has set its sights on a determined and inspiring set of improvised music. The Chicago jazz scene is the inspiration ...

518

Article: Extended Analysis

Han Bennink Trio: Parken

Read "Han Bennink Trio: Parken" reviewed by David McLean


Han Bennink Trio Parken Ilk Music 2009 One of the most iconic players from the European free-music scene, Han Bennink's 50 plus year career has seen the Dutch master drummer traverse through a multitude of musical settings. Bennink's journey has embraced revolutionary, avant-jazz recordings such as saxophonist Peter ...

383

Article: Album Review

The Matt Wilson Quartet: That's Gonna Leave A Mark

Read "That's Gonna Leave A Mark" reviewed by George Kanzler


A drummer whose creativity, drive, dedication and infectious joy have garnered him high honors from fellow musicians and critics alike, Matt Wilson is also a perspicacious and activist bandleader. The Matt Wilson Quartet--alto and tenor saxophones doubling clarinets, bass and drums--is raucous, rambunctious and high energy. Among piano-less quartets, it's more in the tradition of Ornette ...

1,320

Article: Interview

John Surman: From Boy Choirs to Big Horns

Read "John Surman: From Boy Choirs to Big Horns" reviewed by John Kelman


It's increasingly risky to be a musician on the road. When British saxophonist John Surman was traveling from his home in Oslo, Norway, to New York City in September, 2007 for a recording session, he almost lost his baritone saxophone to the airlines. “It is a nightmare traveling now," says Surman, “and hardly a tour goes ...


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