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Results for "Eric Dolphy"
Oscar Feldman: Oscar e Familia
by Raul d'Gama Rose
Oscar Feldman is ready, with Oscar e Familia, to put his own stamp on the alto saxophone. Not since the fire of Jackie McLean, the cool breeze of Lee Konitz, Eric Dolphy's rhythmic advances, Ornette Coleman's Harmolodic theories, and Steve Coleman's mBase concepts, has someone attempted to create a new language for that instrument. True, Charlie ...
Oliver Lake, Reggie Workman, Andrew Cyrille & Irene Schweizer: Trio 3 in Amsterdam
by John Sharpe
Oliver Lake, Reggie Workman, Andrew Cyrille & Irene Schweizer Bimhuis Amsterdam October 19, 2009 Trio 3 comprises familiar faces on the European concert circuit. The group's earliest release was a concert appearance from the 1992 Swiss Willisau festival, and it has been making regular European tours ever since. Tonight ...
Andrew D'Angelo: Gay Disco
by Wilbur MacKenzie
In the time between the debut recording by reedman Andrew D'Angelo's trio with bassist Trevor Dunn and drummer Jim Black and the release of the group's follow-up, some dramatic and widely talked about circumstances have befallen the saxophonist. D'Angelo's battle with a malignant brain tumor proved to be an inspiring and transformative process, as the rumbling ...
Rudi Mahall / Axel Dorner / Jan Roder / Uli Jennessen: Die Enttausschung
by Nic Jones
It's only right that the whole membership of this quartet gets equal billing, as this is a group that sublimates the individual in the interest of collective identity. Given the instrumental line-up--two horns, bass and drums--there are, of course, countless precedents for music in this form. The group proves itself to be abundantly aware of them, ...
European Jazz Jamboree 2009
by AAJ Staff
European Jazz JamboreeBerlin, GermanySeptember 18-24, 200920 years after the Berlin Wall came down, the global appreciation of Germany's jazz is arguably finally getting its due, with no small help from the European Jazz Jamboree (EJJ). In its sophomore year, EJJ has quickly garnered attention throughout Europe, and now the States, too, is (and/or ...
Got Bass Clarinet? Jason Stein Does
by Mark Corroto
In the short history of jazz--only about 110 years--the bass clarinet has had an even shorter existence. Students of Charles Darwin's evolutionary studies might point towards the adaption of the instrument into the new jazz of the 1960s; or perhaps the branch of evolution studies called biogeography might explain that fertile locations spawn growth in the ...
Aki Takase / Louis Sclavis: Yokohama
by Nic Jones
Aki Takase is making a real burden for herself with this the latest in her hopefully ongoing series of Intakt releases. With every successive one it's not just a simple matter of the quality going up but rather a matter of different facets of her ability being revealed. As these releases have all been documents of ...
Empirical: Out 'n' In
by Chris May
Empirical's eponymous debut album, a stew of mutated bop produced by saxophonist Courtney Pine for his own Destin-E label, created a bushfire of enthusiasm in the UK. That was in 2007, and since then the group has made international strides too, appearing at the Newport Jazz Festival, the New York Jazz Festival, the North Sea Jazz ...
Joe Morris: Fine Objects
by Mark Corroto
Guitarist Joe Morris continues his 2002 experimentation with the double-bass. On Fine Objects, he leads a trio of saxophone, bass, and drums through two of his own compositions, a couple of trio improvisations, and other compositions by Ornette Coleman, Eric Dolphy, Larry Clinton and Petr Cancura. Morris chose two former students from the New ...
Wayne Wallace Latin Jazz Quintet: Bien Bien!
by Raul d'Gama Rose
The music with clave that began with Machito's “Tanga," and George Russell's “Cubana-Be Cubana-Bop" has come a long way. With clave in his soul, trombonist Wayne Wallace proves, yet again, on Bien Bien! that the cheer of the music is truly infectious. Wallace is rare among musicians who can swing as well as he can clave. ...
