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Take Five With Mandolinist Joe Brent
by AAJ Staff
Meet Joe Brent Called, one of the truly exceptional musicians of his generation," a mandolinist about whom it has been said, there has never been a mandolinist with greater technical skills," and a composer whose music, touches and communicates the essence of what it means to be an alive, feeling human being," Joe Brent has forged ...
Eric Dolphy: Outward Bound To Out To Lunch Revisited
by Stefano Merighi
Il valore incalcolabile dell'opera di Eric Dolphy sta passando un po' in secondo piano nel nostro tempo di ascolti rapidi e deconcentrati. Ben venga allora questa edizione, anche se rimane la perplessità dell'accorpare due dischi che pochissimo hanno in comune e che sono comunque ancora a disposizione negli ottimi originali. Dal 1960 al 1964 ...
Fonterossa Days #8
by Neri Pollastri
Ex-Wide e Teatro Sant'Andrea Fonterossa Days #8 Pisa 20-21.4.2024 Giunto alla sua ottava edizione, Fonterossa Day si è allargato da un giorno a due: così, pur mantenendo la medesima struttura programmatica del passato --concerti di formazioni nel roster della Fonterossa Records e dei docenti del laboratorio di improvvisazione tenutosi nei ...
Empirical: Wonder Is The Beginning
by Chris May
London's Empirical quartet, which first recorded in 2007 as a quintet, has had a steady lineup since 2009's sophomore album, Out 'n' In (Naim): Nathaniel Facey on alto saxophone, Lewis Wright on vibraphone, Tom Farmer on double bass and Shaney Forbes on drums. A stable lineup has given the group a certain consistency of sound, though ...
Eric Dolphy: At Five Spot to Iron Man Revisited
by Alberto Bazzurro
Riunire in un unico CD di quasi ottanta minuti due capolavori cosa determina? Un capolavoro al quadrato, ovviamente, ed è quanto avviene in questo album semplicemente maestoso, i cui primi tre brani riprendono il live inciso al Five Spot il 16 luglio 1961 dal quintetto da favola riunito per l'occasione da Eric Dolphy, all'epoca trentatreenne, il ...
Clint Maedgen: Life Before & With Preservation Hall
by Thomas Cole
My first memories of listening to music as a kid? I was probably listening to Fats Domino and rock 'n' roll on the radio. The power of AM radio at that time in the '70s was a huge foundational influence on me, as it has been for a lot of people in those days. And sittin' ...
Petr Kotik: Beyond Race, Beyond Genre, There’s Music
by Kurt Gottschalk
Petr Kotik has walked among giants. To the extent that he is recognized in New York City, where he has made his home for 41 years, it is as an associate of John Cage and Morton Feldman with an apparent fixation on Gertrude Stein. In his Czech homeland, he is held in higher esteem--in part, arguably, ...
OJC's Big Guns: Art Blakey, Cannonball Adderley, and Ron Carter
by C. Andrew Hovan
Although they were somewhat late to the vinyl renaissance game, Craft Records has made up for lost time by tapping a wide range of music. From the Latin strains of Fania Records to the so-called acid jazz that B3 organ masters churned out for Prestige Records in the late '60s, Craft boasts a huge vault that ...
The Jazz Detective Strikes Again
by Mark Corroto
Producer Zev Feldman, like Joe DiMaggio, has done it again. In May of 1941, DiMaggio began a major league baseball hitting streak. People followed his exploits game after game and hit after hit. DiMaggio's amazing record of 56 consecutive games still stands to this day. Same can be said of Feldman. His detective work, finding rare ...
Charles Mingus: Charles Mingus Presents Charles Mingus To Pre Bird Revisited
by Chris May
In his liner notes for Charles Mingus Presents Charles Mingus To Pre Bird Revisited, Bill Shoemaker sets out the context in which the two featured albums should be considered. He observes that so enormous was Charles Mingus' artistic vision that no two (or perhaps three) albums can encompass its totality. How true that is, even of ...





