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Album

Joyosa

Label: Enja Records
Released: 2004
Track listing: Gio; Basswave; Madhawi; Gomm?; Joyosa; Mona; Freund; Our Father; Jasmin; The Waltz

493

Article: Album Review

Chet Baker: The Last Great Concert

Read "The Last Great Concert" reviewed by Dan McClenaghan


Trumpeter Chet Baker had his ups and downs. The ups: his groundbreaking work with baritone saxophonist Gerry Mulligan's pianoless quartet in the early to mid-fifties, followed by dozens of great early recordings under his own name. The downs: his long term involvement with drugs, which took him out of the picture for a stretch in the ...

365

Article: Album Review

Rabih Abou-Khalil: Morton's Foot

Read "Morton's Foot" reviewed by AAJ Staff


It's not enough for Lebanese oud player Rabih Abou-Khalil to bring the Middle Eastern oud tradition to his reinvented version of world jazz. He also brings in the accordion (in the hands of Luciano Biondini, an Italian) for European emphasis, the tuba (Frenchman Michel Godard) for a touch of New Orleans funk, and bass vocals (Sardinian ...

453

Article: Album Review

Cecil Taylor: The Owner Of The River Bank

Read "The Owner Of The River Bank" reviewed by Jim Santella


The single piece by Cecil Taylor lasts an hour. It was recorded during the second of two concerts given to celebrate the first ten years of the Italian Instabile Orchestra. This was part of the Talos Festival in Ruvo di Puglia, in Southern Italy, on September 10, 2000. From the sounds of an orchestra ...

536

Article: Album Review

Stockhausen/Snetberger/Andersen/Heral: Joyosa

Read "Joyosa" reviewed by John Kelman


The sign of true artistry in music is the ability to transcend boundaries and be as broad as possible. While there are those who work endlessly to hone the finer points of a particular style, arguably the ones who make the most impact are those who can rise above disposition and blend into any context. Even ...

185

Article: Album Review

Rabih Abou-Khalil: Morton's Foot

Read "Morton's Foot" reviewed by John Kelman


The definition of jazz is often a hotly contested topic. A more parochial view has it rooted in black American folk music, with somewhat narrow criteria that revolve around certain harmonies and rhythms. A broader view has it based in an improvisational spirit that can be rooted in the folk music of any country. Whether it ...

333

Article: Album Review

Cecil Taylor & Italian Instabile Orchestra: The Owner Of The River Bank

Read "The Owner Of The River Bank" reviewed by Jerry D'Souza


The Italian Instabile Orchestra played two concerts at the Talos Festival in Ruva di Puglia in 2000, celebrating its tenth anniversary. Cecil Taylor wrote the music, if it can be called writing, for he brought in paper with symbols, words and shapes to the rehearsals. This work in progress began to ferment over the next three ...

178

Article: Album Review

Abdullah Ibrahim Trio: Cape Town Revisited

Read "Cape Town Revisited" reviewed by Jim Santella


This hour of sweet music composed by Abdullah Ibrahim includes dedicatory ballads, festive celebrations, and impressions of his homeland. With his “Cape Town to Congo Square” in three movements, he’s documented the bridge between his birthplace and New Orleans. Common threads enable this ambassador of modern jazz to spread the word about this music all over ...

230

Article: Album Review

Bennie Wallace: The Nearness of You

Read "The Nearness of You" reviewed by Rich Friedman


In their quest to beef up a CD’s exposure, good-intentioned industry insiders can sometimes unintentionally steer an album down a dead-end path. On the cover of Bennie Wallace’s The Nearness of You, a voluptuous woman clings to his shoulder looking seductively at his sax. The liner notes feature another babe in a low-cut evening dress resting ...

107

Article: Album Review

Dhafer Youssef: Digital Prophecy

Read "Digital Prophecy" reviewed by Javier AQ Ortiz


The genesis of Digital Prophecy is diaphanously cinematic. With flowing dramatic ardor, “Diaphanes” exudes a strong oud aroma. It’s earthy, simple, relaxed, and suggestively enhanced with dripping and aerial electronic effects from Eivind Aarset, who also gleams on guitar. As Yoda would say of the crescendo caravanesque march of “Aya”—which first exhibit the leader’s haunting Arabic ...


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