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Elvin Jones
Born:
Elvin Ray Jones was a jazz drummer. He was born in Pontiac, Michigan, the youngest child in a family of ten. His father worked for General Motors. Two of Jones' brothers were also jazz musicians: Hank (piano), and Thad (trumpet/flugelhorn). Elvin began playing professionally in the 1940s, working with the Army Special Services program, Operation Happiness, and in 1949 had a short-lived gig in Detroit's Grand River Street club. Eventually he went on to play with artists such as Charlie Parker, Miles Davis, and Wardell Gray. In 1955, after a failed audition for the Benny Goodman band, he found work in New York, joining Charles Mingus's band, and releasing a record called J is for Jazz. In 1960, he joined with the classic John Coltrane Quartet, which also included bassist Jimmy Garrison and pianist McCoy Tyner. Jones and Coltrane often played extended duet passages, both giving and taking energy through their instruments
Bill Dixon e Cecil Taylor: iniziò a Verona
by Angelo Leonardi
La pubblicazione di quest'inedita incisione in studio documenta un momento storico: il magistrale e fugace confronto artistico tra Bill Dixon e Cecil Taylor dell'estate 1992. I due protagonisti del free dettero il 25 giugno di quell'anno un concerto a Verona Jazz, nei giorni seguenti s'esibirono a Vienne (Francia) e subito dopo entrarono in studio ...
Kuzu: Purple Dark Opal
by Mark Corroto
Thank your lucky stars that Kuzu's previous disc Hiljaisuus (Aerophonic/Astral Spirits, 2019) was not a one-off meeting. That recording, their first concert together in 2017, inspired the trio to tour and explore their brand of free jazz. Purple Dark Opal, recorded live in Milwaukee in October 2018, found the trio in the midst of an extended ...
Enrico Rava: ottanta anni suonati
by Daniele Vogrig
Viaggi, concerti, aneddoti. Soprattutto, tanta musica. In occasione dell'unica tappa romana del suo 80th Anniversary World Tour presso l'Aula Magna della Sapienza abbiamo incontrato Enrico Rava, che ha ripercorso per i nostri lettori i momenti salienti della sua lunga carriera. All About Jazz: Partiamo dal tour celebrativo dei tuoi ottanta anni. Accanto a te ...
Vic Juris: Tension and Release
by Victor L. Schermer
This article was first published at All About Jazz on July 28, 2009. Vic Juris is one of the premier jazz guitarists in the business today. Perhaps less known than some of his peers, he is nevertheless admired by all of them and has accumulated, since his emergence on the scene in the 1970s, ...
Impressions: Graz 1962
Label: Ezz-thetics
Released: 2019
Track listing: The Inch Worm; I Want to Talk About You; Autumn Leaves; Impressions.
Pat LaBarbera Kirk MacDonald Quintet: Trane of Thought, Live at the Rex
by Jack Bowers
Sometimes the name of an album can be a dead giveaway. Clearly, tenors Pat La Barbera and Kirk MacDonald, the co-leaders of this admirable quintet from north of the border, are enthusiastic admirers and champions of the late great saxophonist John Coltrane. Disciples, yes, but leagues away from slavish imitators. LaBarbera and MacDonald have strong and ...
Enjoy Jazz 2019
by Henning Bolte
Alte Feuerwache and other venues Enjoy Jazz And More Mannheim, Heidelberg, Ludwigshafen, Germany October 27--November 1, 15-16, 2019 Enjoy Jazz And More this year lead me through two sections of its seven-week concert-series in October/November, with a great diversity of concerts ranging from seasoned German clarinet master Rolf Kühn to advanced ...
Bob Sheppard: The Clark Kent of Jazz
by Jim Worsley
An unassuming bespectacled man in his mid-sixties walks on to the stage. In a band with stellar, famous, and maybe flashier musicians, one could be forgiven if they didn't even notice him right away. But as soon as Bob Sheppard presses a saxophone, clarinet, or flute onto his lips, he is super, man! An incredible musician ...
3x3: Piano Trios: October 2019
by Geno Thackara
Esbjörn Svensson Trio Live in Gothenburg ACT Music 2019 At the time, it was a marvel. The Esbjorn Svensson Trio had already come a long way since their early-'90s beginnings in reshaping the already-skewed traditions of Monk-ian jazz. Their audiences back in 2001 would have been continually thrilled at discovering this ...
