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Christopher Kunz, Florian Fischer: Die Unwucht
by Alberto Bazzurro
Facendo largo uso delle pratiche più contemporanee" (jazzisticamente parlando ma non solo) dei rispettivi strumenti, e nella loro reciprocità (quindi da un'ottica abbastanza lontana da quelli che sono un po' i sacri testi, i modelli di riferimento, in materia, vale a dire gli storici duetti coltraniani con Elvin Jones e Rashied Ali), peraltro senza spendersi in ...
Boris Kozlov: First Things First
by David A. Orthmann
Bassist Boris Kozlov, pianist Art Hirahara and drummer Rudy Royston often operate as the rhythm section on sessions for the venerable Posi-Tone Records imprint. Regardless of the leader they are serving, they deliver a coherent foundation and frequently extend themselves beyond the parameters of a conservative, strictly supportive role. In short, it is never predictable what ...
Sonny Rollins: Ten Colossal Albums
by Chris May
The history of modern jazz is a short one, but even so there are few musicians whose careers began in the bop era and who are still with us in 2022. Drummer Roy Haynes is one. Tenor saxophonist Sonny Rollins is another. Both players recorded with trumpeter Fats Navarro and pianist Bud Powell in 1949.
Joel Futterman & Steve Hirsh: Warp & Weft
by Mark Corroto
Neuroscientists, psychologists, philosophers, and modern Buddhist practitioners have all grappled with the concept of consciousness. On one hand, the science-oriented folk propose consciousness to be stuff that designates the 'me' inside a person vis-à-vis the world, whereas the more spiritual approach eschews a dualistic definition in favor of a universal or 'one' consciousness. If we take ...
Ernie Andrews, Elvin Jones & Kassa Overall
by Joe Dimino
We start the 742nd Episode of Neon Jazz with a new force in jazz by the name of Kassa Overall with music from his album Go Get Ice Cream and Listen to Jazz. From there, we hear from his mentor in Elvin Jones. The remaining hour is a cascade of quality new jazz from the likes ...
John Coltrane Quartet: Song Of Praise: New York 1965 Revisited
by Chris May
There are a handful of live performances which, preserved on recordings, have acquired overarching importance in the jazz canon. Charlie Parker's one-night-only appearance at Toronto's Massey Hall in 1953, John Coltrane's weeklong residency at New York's Village Vanguard in 1961 and Miles Davis' at Chicago's Plugged Nickel in 1965 are amongst the longest established.
Lennie Tristano Personal Recordings, 1946-1970
by Peter Rubie
They called it the Cool School, but what's in a name?In this case, quite a lot as it happens. The Cool School included musicians like Chet Baker, John Lewis and the Modern Jazz Quartet, and Dave Brubeck. Under the guidance of arranger and composer Gil Evans, it established itself in an unquestionable way with ...
Bill Stewart: Ain't No Funk In Iowa
by Mike Brannon
This article was first published at All About Jazz in May 2002. Upon joining The John Scofield group in the mid '80s it seemed like drummer Bill Stewart just appeared out of nowhere. Of course, Scofield and Stewart did a number of tours and studio dates together while word got around about Stewart's unique ...
Ornette Coleman: New York Is Now & Love Call Revisited
by Mark Corroto
These sessions, the last two Ornette Coleman would record for Blue Note Records, in April and May of 1968, are generally remembered for the rhythm section. Was it Coleman or producer Francis Wolff that invited John Coltrane's former sidemen, bassist Jimmy Garrison and drummer Elvin Jones to record? Was this a scheme to draw the Coltrane ...
Meet Brian Blade
by Craig Jolley
This article was first published at All About Jazz in April 2000. Musical background I started playing when I was thirteen in church. My father was the pastor. My brother, Brady, who was five years older (he still is) was the drummer. He left for college so it became my duty to take over ...






