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Article: Album Review

Christopher Kunz, Florian Fischer: Die Unwucht

Read "Die Unwucht" reviewed by Alberto Bazzurro


Facendo largo uso delle pratiche più “contemporanee" (jazzisticamente parlando ma non solo) dei rispettivi strumenti, e nella loro reciprocità (quindi da un'ottica abbastanza lontana da quelli che sono un po' i sacri testi, i modelli di riferimento, in materia, vale a dire gli storici duetti coltraniani con Elvin Jones e Rashied Ali), peraltro senza spendersi in ...

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Article: Album Review

Boris Kozlov: First Things First

Read "First Things First" reviewed by David A. Orthmann


Bassist Boris Kozlov, pianist Art Hirahara and drummer Rudy Royston often operate as the rhythm section on sessions for the venerable Posi-Tone Records imprint. Regardless of the leader they are serving, they deliver a coherent foundation and frequently extend themselves beyond the parameters of a conservative, strictly supportive role. In short, it is never predictable what ...

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Article: Building a Jazz Library

Sonny Rollins: Ten Colossal Albums

Read "Sonny Rollins: Ten Colossal Albums" reviewed by Chris May


The history of modern jazz is a short one, but even so there are few musicians whose careers began in the bop era and who are still with us in 2022. Drummer Roy Haynes is one. Tenor saxophonist Sonny Rollins is another. Both players recorded with trumpeter Fats Navarro and pianist Bud Powell in 1949.

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Article: Album Review

Joel Futterman & Steve Hirsh: Warp & Weft

Read "Warp & Weft" reviewed by Mark Corroto


Neuroscientists, psychologists, philosophers, and modern Buddhist practitioners have all grappled with the concept of consciousness. On one hand, the science-oriented folk propose consciousness to be stuff that designates the 'me' inside a person vis-à-vis the world, whereas the more spiritual approach eschews a dualistic definition in favor of a universal or 'one' consciousness. If we take ...

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Article: Radio & Podcasts

Ernie Andrews, Elvin Jones & Kassa Overall

Read "Ernie Andrews, Elvin Jones & Kassa Overall" reviewed by Joe Dimino


We start the 742nd Episode of Neon Jazz with a new force in jazz by the name of Kassa Overall with music from his album Go Get Ice Cream and Listen to Jazz. From there, we hear from his mentor in Elvin Jones. The remaining hour is a cascade of quality new jazz from the likes ...

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Article: Album Review

John Coltrane Quartet: Song Of Praise: New York 1965 Revisited

Read "Song Of Praise: New York 1965 Revisited" reviewed by Chris May


There are a handful of live performances which, preserved on recordings, have acquired overarching importance in the jazz canon. Charlie Parker's one-night-only appearance at Toronto's Massey Hall in 1953, John Coltrane's weeklong residency at New York's Village Vanguard in 1961 and Miles Davis' at Chicago's Plugged Nickel in 1965 are amongst the longest established.

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Article: Extended Analysis

Lennie Tristano Personal Recordings, 1946-1970

Read "Lennie Tristano Personal Recordings, 1946-1970" reviewed by Peter Rubie


They called it the Cool School, but what's in a name?In this case, quite a lot as it happens. The Cool School included musicians like Chet Baker, John Lewis and the Modern Jazz Quartet, and Dave Brubeck. Under the guidance of arranger and composer Gil Evans, it established itself in an unquestionable way with ...

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Article: Interview

Bill Stewart: Ain't No Funk In Iowa

Read "Bill Stewart: Ain't No Funk In Iowa" reviewed by Mike Brannon


This article was first published at All About Jazz in May 2002. Upon joining The John Scofield group in the mid '80s it seemed like drummer Bill Stewart just appeared out of nowhere. Of course, Scofield and Stewart did a number of tours and studio dates together while word got around about Stewart's unique ...

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Article: Album Review

Ornette Coleman: New York Is Now & Love Call Revisited

Read "New York Is Now & Love Call Revisited" reviewed by Mark Corroto


These sessions, the last two Ornette Coleman would record for Blue Note Records, in April and May of 1968, are generally remembered for the rhythm section. Was it Coleman or producer Francis Wolff that invited John Coltrane's former sidemen, bassist Jimmy Garrison and drummer Elvin Jones to record? Was this a scheme to draw the Coltrane ...

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Article: Interview

Meet Brian Blade

Read "Meet Brian Blade" reviewed by Craig Jolley


This article was first published at All About Jazz in April 2000. Musical background I started playing when I was thirteen in church. My father was the pastor. My brother, Brady, who was five years older (he still is) was the drummer. He left for college so it became my duty to take over ...


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