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Article: Album Review

Soft Machine: Drop

Read "Drop" reviewed by AAJ Italy Staff


Questo bellissimo CD documenta il tour europeo dei Soft Machine dell'autunno 1971. Da pochi mesi il batterista Robert Wyatt aveva lasciato la band, pressato e spinto fuori dai dubbi dei due compagni storici Hopper e Ratledge. Al suo posto, su suggerimento di Elton Dean, era arrivato il giovane batterista australiano Phil Howard, una vera e propria ...

538

Article: Record Label Profile

MoonJune Records

Read "MoonJune Records" reviewed by Martin Longley


Leonardo Pavkovic is a looming presence on the ever-expanding scene of polynational, polymusical globe-gobbling. Some might deem his MoonJune Records operation a special home for European prog rock, but this is only one aspect of its makeup. “MoonJune is a label for progressive music," he announces, holding court, at an Egyptian kebab cafe in Astoria. “Whatever ...

171

Article: Album Review

Alex Maguire Sextet: Brewed In Belgium

Read "Brewed In Belgium" reviewed by Nic Jones


Keyboard player Alex Maguire has worked with the present day incarnation of the British band Hatfield and the North and clearly he has more than sufficient chops to deal with a range of musical situations. The fare offered here is often freer than the Hatfield way, however. And when the music goes inside, such ...

220

Article: Album Review

Soft Machine: Drop

Read "Drop" reviewed by Gary Gomes


Despite significant ambivalence about Soft Machine around the time of this recording, it was the furthest out that the group ever ventured, and its closest approach to free jazz. It also possessed the freest drummer to ever grace a rock group. Australian Phil Howard was, in fact, free by most jazz standards, but by jettisoning the ...

318

Article: Album Review

Command All Stars: Curiosities 1972

Read "Curiosities 1972" reviewed by Nic Jones


That infinite moment with which a lot of the music AAJ covers is preoccupied is amplified here, rife with a depth which far outstrips the casual manner in which the music came together. Afforded the relative luxury of three days of studio time in February 1972, some of that time's most creative individuals on the British ...

387

Article: Multiple Reviews

Elton Dean / Steve Miller Trio / Soft Heap: British genre-benders

Read "Elton Dean /  Steve Miller Trio / Soft Heap: British genre-benders" reviewed by Clifford Allen


Though non-idiomatic is a term often thrown around when referring to post-1960s British improvisation, the more apt one might be cross-idiomatic, insofar as significant players have worked across genres with regularity. Take alto saxophonist Elton Dean, for example. He was part of the three-horn front line of pianist Keith Tippett's group, which was co-opted by the ...

Album

Soft Mountain

Label: Hux Records
Released: 2007
Track listing: 01. Soft Mountain Suite Pt. 1 (30:40); 02. Soft Mountain Suite Pt. 2 (27:55).

Album

The Unbelievable Truth

Label: MoonJune Records
Released: 2007
Track listing: Seven For Lee; Millennium (The Wrong Object); Baker's Treat; The Unbelievable Truth; A Cannery Catastrophe; Cunnimingus Redux; The Basho Variations.

1

Article: Multiple Reviews

The Wrong Object: The Unbelievable Truth / Soft Machine Legacy: Steam / Hugh Hopper: Numero D'Vol

Read "The Wrong Object: The Unbelievable Truth / Soft Machine Legacy: Steam / Hugh Hopper: Numero D'Vol" reviewed by AAJ Italy Staff


Il celebre saxofonista inglese Elton Dean ci ha lasciato oltre un anno fa ma continua a segnare tracce e a indicare segnali importanti attraverso la pubblicazione di registrazioni postume, dichiarati omaggi da parte dei suoi ultimi compagni di strada e avventure parallele che lo avrebbero visto certamente spettatore interessato. The Wrong Object The Unbelievable Truth Moonjune ...

228

Article: Album Review

Elton Dean & The Wrong Object: The Unbelievable Truth

Read "The Unbelievable Truth" reviewed by Nic Jones


Poignant doesn't cover it. This was one of Elton Dean's last gigs before his death and all the qualities that made him such a distinctive voice on alto sax and saxello--his wit, his ascetic, unsentimental lyricism and the like--are caught in abundance and in the company of a band who do a whole lot more than ...


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