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946

Article: Profile

Alvin Batiste

Read "Alvin Batiste" reviewed by Elliott Simon


A preeminent music educator and influential clarinetist, Alvin Batiste's impact will be with us as long as jazz is performed. From his founding and leadership of the Jazz Institute program at Southern University in Baton Rouge to his current work with the New Orleans Center for the Creative Arts, clarinetist Alvin Batiste has influenced three generations ...

248

Article: Album Review

Charles Davis: Land of Dreams

Read "Land of Dreams" reviewed by Elliott Simon


In the shrinking world of “legendary" jazz performers, all star sessions and one-offs are the norm. This release is a rare treat that gives a real look-see at saxophonist Charles Davis in the context of his working band. Davis, with his baritone sax, was part of the seminal Jazz Composer's Orchestra and early groups fronted by ...

476

Article: Extended Analysis

Nicki Parrott & Rossano Sportiello: People Will Say We

Read "Nicki Parrott & Rossano Sportiello: People Will Say We" reviewed by Elliott Simon


Nicki Parrott & Rossano Sportiello People Will Say We're In Love Arbors Records 2007 With People Will Say We're In Love, bassist Nicki Parrott and pianist Rossano Sportiello have stepped to the forefront and formed a musical partnership that keeps the melody squarely in focus while creating an atmosphere of ...

174

Article: Album Review

Ernst Bier, Matthias B: Live at the A-Trane

Read "Live at the A-Trane" reviewed by Elliott Simon


Five extended compositions recorded Live at the A-Trane in Berlin, Germany over two nights in 2005 present altoist/flutist Sonny Fortune in the company of a soulful B3 trio. Fortune's alto is still searing, with a tone and style that work quite well in this context, exposing his Philly R&B roots. His career of over forty years ...

339

Article: Album Review

Komeda Project: Crazy Girl

Read "Crazy Girl" reviewed by Elliott Simon


The legacy of the great Polish jazz composer/pianist Krzysztof Komeda runs especially deep, while straddling the worlds of film music and modern jazz. While his life was sadly cut short in 1969 at the age of 38, his compositional output included more than sixty film scores and the influential European classic Astigmatic (Power Bros, 1966), with ...

100

Article: Album Review

The Cracow Klezmer Band: Remembrance

Read "Remembrance" reviewed by Elliott Simon


This month, Krakow, Poland plays host to the world's top klezmer musicians as they take part in the city's 17th Jewish Cultural Festival. That a celebratory event of this magnitude occurs in a city that, prior to the Holocaust, was home to one of the most important Jewish cultural centers in Europe is evidence of this ...

143

Article: Multiple Reviews

Matt Weston: Percussive Experiments

Read "Matt Weston: Percussive Experiments" reviewed by Elliott Simon


Matt Weston Resistance Cruisers 7272 Music 2007 Matt Weston Rashaya 7272 Music 2007 ...And now for something completely different. Percussionist and electronicist Matt Weston released two EPs ...

167

Article: Multiple Reviews

David Rogers: Afro-Appalachian Jazz

Read "David Rogers: Afro-Appalachian Jazz" reviewed by Elliott Simon


David Rogers Sextet The World Is Not Your Home Jumbie Records 2007 Imaginary Homeland Jump For George Jumbie Records 2003 A decade ago, tenor saxophonist David Rogers' ...

244

Article: Multiple Reviews

Biggi Vinkeloe: Elegans & Suspension

Read "Biggi Vinkeloe: Elegans & Suspension" reviewed by Elliott Simon


Vinkeloe/Smith/Nordeson Elegans Nuscope Recordings 2005 CBD Trio Suspension Rastascan Records 2006 International free-jazzwoman Biggi Vinkeloe's current two offerings feature her often times subtle alto saxophone and flute in the ...

378

Article: Album Review

Various: Jazz in the Charts 1/100: 1917-1921

Read "Jazz in the Charts 1/100: 1917-1921" reviewed by Elliott Simon


The folks at Germany's Membran have completed a fascinating take on the history of jazz aptly named Jazz in the Charts. In the process, they have developed a one-of-a-kind compilation of every jazz recording to reach the Billboard charts between the years 1917 and 1954, years when jazz was truly America's popular music. A massive one ...


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