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Elliott Sharp: Dialectrical
by John Sharpe
Dialectrical constitutes the third entry in the discography of Elliott Sharp's most jazz-focused outfit, following on from the eponymous debut Aggregat (Clean Feed, 2012), and subsequent Quintet (Clean Feed, 2013). Although perhaps best known for his idiosyncratic guitar work, Sharp here demonstrates his chops as an adept reedman, with a talented NYC crew on board. Special ...
Elliott Sharp: Port Bou
by Mark Sullivan
Composer/multi-instrumentalist Elliott Sharp chose a dramatic subject for Port Bou: the last minutes in the life of philosopher Walter Benjamin at Port-Bou (a town in Catalonia, Spain) as he was fleeing Nazi-occupied France. This is a man preparing to commit suicide, so the music is appropriately intense. I'm reminded of Laurie Anderson's performance piece about Difficult ...
Raphael Malfliet: Noumenon
by Karl Ackermann
Belgian-born bassist Raphael Malfliet graduated from the Conservatory in Antwerp in 2014, moving to New York shortly afterward. Though the music on his debut trio album Noumenon is outside of well-defined genres, his influences of modern classical and improvisation are evident from the start. One is as likely to hear traces of Elliott Sharp as they ...
Steve Buscemi/Elliott Sharp: Rub Out The Word
by Mark Corroto
Is it significant that Frank Sinatra (1915-1998) and William S. Burroughs (1914-1997) were born just one year apart? Maybe. Sinatra began as a teen idol, before developing into American's bon vivant and arbiter of cool, and finally a cranky old man. On the other hand, the writer Burroughs was born a cranky old man, and perpetuated ...
Steve Buscemi/Elliott Sharp: Rub Out The Word
by Mark Sullivan
You don't have to follow Beat literature to have some familiarity with writer William S. Burroughs, especially in his spoken word role. Performance artist Laurie Anderson collaborated with him several times, notably on You're the Guy I Want to Share My Money With (Giorno Poetry Systems, 1981) and Mister Heartbreak (Warner Bros., 1984). Bill Laswell's Material ...
Barry Adamson, Michael Formanek, Elliott Sharp & Rokia Traoré
by Martin Longley
Barry Adamson Rough Trade March 21, 2016 Hot on the heels of SXSW in Austin, Barry Adamson turned up for a lower-key solo show at NYC's Rough Trade store. His reputation was made as a bassist with Magazine and Nick Cave, but in the three decades since then he's ...
William Hooker: Light The Early Years 1975-1989
by Mark Corroto
The good news is that record executives are no longer the gatekeepers of taste and style in music today. Inexpensive recording equipment and the advent of digital music allow the artist, and the audience to cast a wide net these days. This wasn't the case forty years ago, especially for the improvised jazz scene. Studio time ...
Satoko Fujii + French-Japanese Quartet Kaze Tour Australia: January 13-19, 2016 and Japan: January 23-30
Pianist Fujii Performs Solo and Duo Concert with Alister Spence January 13 in Glebe Two-trumpet ensemble Kaze unleashes storm of inventive sound with performances in Australia and Japan including Sydney, Melbourne, Kobe and Tokyo “One of the most musically dynamic and intense “jazz" sets of the year… If you think you can imagine what piano, drums, ...
Marcelo Dos Reis / Angelica V. Salvi: Concentric Rinds
by John Sharpe
Guitarist Marcelo dos Reis has become a fixture on the Lisbon experimental music scene, where he also helms the newly created Cipsela imprint. His guitar contributed an attractive wild card element to Chamber 4's eponymous release (FMR, 2015) and he has worked with Elliott Sharp, Burton Greene and Evan Parker among others. Among his many outlets ...
Sharp? Monk? Sharp! Monk!
Label: Clean Feed Records
Released: 2015
Track listing: Misterioso; Well You Needn't; Bemsha Swing; Round Midnight;
Epistrophy.
