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Lorraine Feather's Language Turns A Witty Phrase
by Ken Dryden
I got to know Lorraine Feather through reviewing several of her CDs, amazed by her gifts as a lyricist and singer, who was equally at home with witty songs and tender ballads. I first met Lorraine when she was performing at the late lamented Manhattan club Danny's Skylight Room with pianist Shelly Berg. We would chat ...
Meet Vocalist Anais Reno
by Sanford Josephson
This article first appeared in Jersey Jazz Magazine. When she was eight years old, Anais Reno (now 18) began taking voice lessons from singer/songwriter Sarah Tolar. “I feel very grateful to her," Reno said, “because after a couple of months of working together, she sensed that maybe some older American Songbook music would be ...
The Complete Louis Armstrong Columbia & RCA Victor Studio Sessions 1946-66
by Skip Heller
Louis Armstrong officially returned to small band leadership May 17, 1947 via a triumphant concert at Town Hall that was less comeback than reaffirmation. It was even the dawn of his second great period, full of recordings that stood tall with his epochal 1920's output, and the subsequently-assembled Louis Armstrong and his All Stars would immediately ...
Pete Brown: White Rooms & Imaginary Westerns, Part 1
by Duncan Heining
Part 1 | Part 2 Poet, lyricist, rock musician, producer and scriptwriter—Pete Brown has covered a lot of bases in his six decades in music and literature. His career embodies that era that began with the Beatles' “Love Me Do" in October 1962 and ended in January 1969 with the band playing live on ...
Instant Composers Pool al Teatro Garibaldi di Palermo. Organizzazione Curva Minore Contemporary Sounds 2019.
by Maurizio Zerbo
Instant Composers Pool Teatro Garibaldi Palermo 1/11/2019 Il tempo della memoria costituisce la chiave interpretativa di volta per valutare questo magnifico concerto dedicato a Misha Mengelberg, leader carismatico dell'Instant Composers Pool. Il commosso ricordo del geniale pianista, scomparso nel 2017, ha trasfigurato le consuete trame iconoclaste dell'ensemble olandese in pannelli swinganti ...
Mark Lotz and Alan Purves: Food Foragers
by Don Phipps
Somewhere there is a dense green forest. One can barely see through the foliage. Inside this forest is a meadow. There stands Mark Alban Lotz, surrounded by flutes of various sizes and shapes. Next to him is Alan Purves, encircled by an array of bizarre and ancient percussion instruments. Together, these two artists are creating odes ...
Anat Cohen: Claroscuro
by Dan Bilawsky
Art begets art on Anat Cohen's Claroscuro. The Israeli-born, New York-based multi-reedist leaves the confines of Benny Goodman's world behind, following her clarinet-only sojourn into king of swing territory, Clarinetwork: Live At The Village Vanguard (Anzic, 2010), with a wide-ranging musical treatise on the balance between light and dark. Cohen addresses each end of the color ...
Christian McBride: Knocking on the Door
by Bob Kenselaar
Christian McBride was talking about the Grammy he received in October, 2011 for his big band album, The Good Feeling (Mack Avenue, 2011)--his first Grammy as a leader and third overall. While the bassist certainly appreciated getting the nod from his peers and from the Recording Academy, he said he gets just as much of a ...
Ellis Marsalis, Henry Butler, Jonathan Batiste: New York, May 11, 2012
by Bob Kenselaar
Ellis Marsalis, Henry Butler, Jonathan BatisteNew Orleans Piano KingsJazz at Lincoln Center: Allen RoomNew York, NYMay 11, 2012“A young lion, a seasoned veteran, and an elder statesman"--that's how drummer Herlin Riley introduced the three stellar pianists featured in Jazz at Lincoln Center's “New Orleans Piano Kings": Jonathan Batiste, Henry ...
Peter Appleyard And The Jazz Giants: The Lost 1974 Sessions
by Dan Bilawsky
While the aggregation of all-star jazz men featured on this previously unreleased, decades-old session may seem random at first glance, the great Benny Goodman is actually the musical tie that binds them all. In September of 1974, vibraphonist Peter Appleyard was part of a particularly strong Goodman sextet that appeared at Carnegie Hall. Appleyard had his ...
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