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Arild Andersen: Green Into Blue - Early Quartets
by John Kelman
He's one of Norway's “Big Four"—a group of artists who, with the assistance of the emerging ECM label in the early 1970s, kick-started international focus on the music from a country that, despite its relatively small population, has become a truly vital force in the evolution of jazz over the past 40 years. Alongside saxophonist Jan ...
Tomasz Stanko Quintet: Dark Eyes
by David McLean
Tomasz Stanko Quintet Dark Eyes ECM Records 2009 It has been a regular event at the ECM label for artists to change line-ups after three albums. After a trio of releases with the prodigiously talented pianist Marcin Wasilewski--(Soul of Things (ECM, 2002), Suspended Night (ECM, 2003) and Lontano ...
The Fonda / Stevens Group: Memphis
by Nic Jones
Memphis marks the 25th anniversary of the bassist Joe Fonda and pianist Michael Jefry Stevens' period of collaboration. Their quartet is a fine example of how a long established band can gel without becoming predictable, with many of its moves unforeseeable in advance. This helps to keep the music fresh, but it's the level of collective ...
Arild Andersen: Live at Belleville
by John Kelman
The general international perception of Norway's jazz scene as “Nordic Cool," is, like most generalizations, inevitably distanced from truth. Atomic, The Core and Motif may possess no shortage of heat, but ECM has undeniably helped define that unmistakable Norwegian aesthetic. One of the “big four," brought to international attention in the early 1970s alongside guitarist Terje ...
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