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JIMS - Summer Studies for Jazz & Improvised Music Salzburg 2008
JIMS 2008: July 14th - 19th JIMS is the most progressive summer workshop for Jazz and Improvisation in Europe - beyond Jazz standards. Focus is on improvisation, composition, new sounds, avantgarde, “playing what you hear". Courses are for: Jazz theorie (Peter Herbert) piano (Huw Warren) guitar (Wolfgang Muthspiel) ...
San Francisco State's International Center for the Arts Debuts "Generations" Fellowship and International Competition for Emerging Jazz Combos
Unique post-graduate fellowship for jazz musicians; Fellows to receive pre-professional training through collaboration with established jazz artists SAN FRANCISCO, CA - The International Center for the Arts at San Francisco State University today announced “Generations," a unique post-graduate Fellowship and International Competition for already-formed combos of aspiring musicians to receive advanced pre-professional training and career preparation ...
This Week on JazzPianoOnline.com
Learn Jazz Piano on the Internet Rootless Voicings with Added Tension Minor ii-V-is Part 3 Continue your study of this standard voicing technique to include inversion 1 of the minor ii-V-i progression. Watch this lesson to learn how to build these voicings using good voice-leading and effective use of tension. Bonus: fully notated transcriptions ...
This Week on JazzPianoOnline.com
Diatonic Intervals Ear Training Ear training gets short shrift among music students- who wants to be occupied with such a mundane task when you can spend your time learning Herbie Hancock licks? Well not so fast. The benefits of well trained ears are huge. Every facet of the music will be more immediate and accessible to ...
Saxophonist Greg Osby at Middle Tennessee State University; Murfreesboro, TN
The Middle Tennessee State University Department of Jazz Studies is proud to announce saxophonist Greg Osby's residency, November 12-16, 2007. Mr. Osby is well-known throughout the international jazz community as an innovative saxophonist, composer, producer, and educator. He has recorded over fifteen albums as a leader and enjoyed important artistic associations with some the music's most ...
"Fun with Jazz" Educational Program Now Administered by the Alabama Jazz Hall of Fame
The “Fun With Jazz" Educational Program is a jazz-based educational program sponsored by the Alabama Jazz Hall of Fame and presented, free of charge, in schools and other institutions. Beginning in 2006, founder Ray Reach and selected accompanists have presented free one-hour lessons introducing jazz through live performance and interactive activities. As of September 2007, the ...
"Bix and His Gang" in Davenport, IA on November 3rd
Announcing a 3-day musical event in Davenport starting on Saturday, November 3. The young drummer Joshua Duffee and the Bix Beiderbecke Memorial Society are presenting “Bix and His Gang," a live concert and series of clinics for adults and High School students at area schools. The featured performers are Randy Sandke, cornet John Otto, ...
Announcing Innovative New Arts Education Curriculum Frameworks for Manitoba Schools
Announcing Innovative New Arts Education Curriculum Frameworks for Manitoba Schools The Alliance for Arts Education in Manitoba is pleased to join Honourable Peter Bjornson, Minister of Education, Citizenship and Youth to announce new curricula in Dance, Drama, Music and Visual Arts Constable Edward Finney School 25 Anglia Ave, Wpg MB Phone: 694-8688 ...
This Week on JazzPianoOnline.com
Upper Structure Triads Upper structure triads have been an enduring feature of jazz since the early Bebop era. This chord voicing technique can be heard in big bands and solo piano alike and produces a rich bitonal effect that can be used for comping, harmonizing melodies and improvising melodic lines. Watch as all possible upper structure ...
Today on JazzPianoOnline.com
Peace, one of Horace Silver's lesser-known compositions is a beautiful and complex ballad of only 10 bars. Watch as the chord changes to the tune are voiced with a variety of techniques: rootless voicings with added tension, open voicings, upper structures, voicings in fourths and a melody is improvised over the top. Download the note-for-note transciption ...
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