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News: Education

Steve Bailey Named Chair of Berklee's Bass Department

Steve Bailey Named Chair of Berklee's Bass Department

Berklee College of Music announces that Steve Bailey has been named chair of the college's Bass Department. Bailey, six-string fretless bass pioneer, educator, and author, begins his tenure this summer. He succeeds Rich Appleman, who retired in May 2012 after holding the position for 40 years. A partial list of Bailey's extensive recording and performance credits ...

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Article: Album Review

Bill Evans: Live At Art D'Lugoff's Top of The Gate

Read "Live At Art D'Lugoff's Top of The Gate" reviewed by C. Michael Bailey


Why is pianist Bill Evans so important to jazz? it is simple: every pianist to hear and perform after him was influenced by him. Art Tatum and Oscar Peterson may have been technically more brilliant and extroverted, but it took first Bud Powell and then Evans to turn the creative tables toward the muted and introverted, ...

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News: Recording

Resonance Records to Issue Unreleased Live Performances by Legendary Pianist Bill Evans "Live At Art D'Llugoff's Top Of The Gate" - Available June 12

Resonance Records to Issue Unreleased Live Performances by Legendary Pianist Bill Evans "Live At Art D'Llugoff's Top Of The Gate" - Available June 12

HISTORIC PERFORMANCES CAPTURED BY LABEL PRESIDENT GEORGE KLABIN MORE THAN 40 YEARS AGO With Live at Art D'Lugoff's Top of the Gate, Resonance Records offers listeners a table at the front of the stage for a stellar performance by one of jazz's greatest trios. It's October 23, 1968 in Greenwich Village, and legendary pianist Bill Evans ...

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Article: Album Review

Bill Evans: Live at Art D'Lugoff's Top of the Gate

Read "Live at Art D'Lugoff's Top of the Gate" reviewed by Larry Taylor


The two-CD Bill Evans Live at Art D'Lugoff's Top of The Gate--a never-before-released recording of the Bill Evans Trio made over 50 years ago--consists of two sets recorded by then-college student George Klabin in the New York City club, October, 1968. Until now, the music has only been heard on a Columbia University radio show; now, ...

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Article: Album Review

Eddie Gomez: Per Sempre

Read "Per Sempre" reviewed by Dan McClenaghan


Taken as a cohesive statement--a one-hour piece of art in a world of downloads and diminishing attention spans--bassist Eddie Gomez's Per Sempre stands out, with the minor and enviable disadvantage of opening with the set's loveliest tune, “Arianna." Good news/good news: the rest of this superb outing is just a notch--a small one--below that level of ...

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Article: Album Review

Eddie Gomez: Per Sempre

Read "Per Sempre" reviewed by Dan Bilawsky


Bassist Eddie Gomez has never received the attention he deserves as a leader. While that's largely due to the fact that he spends so much time making other people sound better, the reason isn't important; it's an injustice, regardless of the cause. His pliant and flexible bass has been the binding agent and rhythmic-melodic-harmonic go-between responsible ...

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Article: Album Review

Bill Evans: Live At Art D'Lugoff's Top of The Gate

Read "Live At Art D'Lugoff's Top of The Gate" reviewed by Edward Blanco


Legendary jazz pianist Bill Evans has been gone since 1980; nevertheless, his music continues to inspire new generations of young musicians and remains an integral part of jazz history. Live At Art D'Lugoff's Top of The Gate celebrates Evans' memory, capturing the great pianist and his trio performing in the upstairs room--and separate club, called The ...

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News: Recording

Eddie Gomez - Per Sempre (2012)

Eddie Gomez - Per Sempre (2012)

Always an impressive technician, Gomez has an identifiably soulful sound—sometimes from the very first plucking of his bass. That has carried him through an impressive array of settings, from traditional trios and fusion-infused amalgams all the way over into the delicate lyricisms of chamber jazz. The forthcoming Per Sempre fits squarely into the latter category, as ...

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Article: Album Review

Gabriel Vicens: Point in Time

Read "Point in Time" reviewed by Jeff Dayton-Johnson


On Point In Time, his debut date as a leader, Puerto Rican guitarist Gabriel Vicéns heads a solid quintet of young players, considerably bolstered by a couple of A-list substitutions from the highest echelons of Puerto Rican jazz: tenor saxophonist David Sánchez on a pair of tracks, and bassist Eddie Gomez on about half the record.

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Article: Album Review

Gabriel Vicens: Point in Time

Read "Point in Time" reviewed by Dan Bilawsky


When Berklee beckons, most aspiring jazz musicians pick themselves up and trek to Boston to further their studies, but guitarist Gabriel Vicens isn't most people. While the young guitarist had a scholarship lined up at that venerable learning institution, he opted to stay in his native habitat and study at the Music Conservatory of Puerto Rico. ...


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