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Juan Vinuesa Jazz Quartet: Blue Shots From Chicago
by Mark Corroto
Chicago, a city of big shoulders, continues to present proof of poet Carl Sandburg's words from the poem of the same name... “Come and show me another city with lifted head singing so proud to be alive and coarse and strong and cunning." Why is this? Because Chicago in 2020 remains the same as evoked in ...
About Ed Blackwell
Results for pages tagged "Ed Blackwell"...
Ed Blackwell
Born:
Edward Blackwell and his drumming skills were a prime influence on New Orleans drummers in the 1950s. He was a member of the original American Jazz Quintet, which also included Alvin Battiste, and Ellis Marsalis. Blackwell toured extensively with Ornette Coleman, Sonny Rollins, John Coltrane, Randy Weston and other jazz luminaries. Ed Blackwell was one of the greatest pioneers of free drumming whose main body of work remains within the group context in Ornette Coleman's Quartet and Don Cherry's units. Born in New Orleans, his drum concept fitted perfectly the needs of the new collective music-indeed, traditional New Orleans march rhythms combined with an African and Afro-Cuban influence in his work
2019: Striking A Balance In Review, Part 2
by Henning Bolte
Part 1 | Part 2This is the second part of an article that looks back and reflects on experiences with live music in 2019. This part deals with a musician's legacy (Ornette Coleman) and continues with an examination of artistic developments and dynamics in the jazz field in a festival (Jazzfest Berlin) and related ...
Bill Dixon e Cecil Taylor: iniziò a Verona
by Angelo Leonardi
La pubblicazione di quest'inedita incisione in studio documenta un momento storico: il magistrale e fugace confronto artistico tra Bill Dixon e Cecil Taylor dell'estate 1992. I due protagonisti del free dettero il 25 giugno di quell'anno un concerto a Verona Jazz, nei giorni seguenti s'esibirono a Vienne (Francia) e subito dopo entrarono in studio ...
Dave Rempis / Joshua Abrams / Avreeayl Ra / Jim Baker: Apsis
by John Sharpe
After appearing on one half of Perihelion (Aerophonic, 2016), keyboardist Jim Baker has joined Chicago saxophonist Dave Rempis' working trio with bassist Joshua Abrams and drummer Avreeayl Ra on a permanent basis. In one respect the band seems one of the most traditional of the reedman's projects. That's largely down to how the ...
Alice Coltrane: Carnegie Hall '71
by Chris May
Welcome to the Alice Coltrane Kollectors' Korner. Before entering, discard any nagging ethical concerns about bootlegs and pirated recordings. Call them “unofficial releases" instead. Embrace your inner completist. 2019 has been a good year for members of ACKK. First we had Alice Coltrane Live At The Berkeley Community Theater 1972 (BCT, 2019). The ...
October Birthdays Featuring Art Blakey & Anita O'Day Centennial Salutes
by Marc Cohn
Indeed--October jazz birthdays. This week's show honoring the 90th birthday of Dan Morgenstern, as well as honoring the memory of Lorraine Gordon (who would have been 97 on Oct. 15th). Centennial salutes for Art Blakey, Anita O'Day and Babs Gonzales. Significant others include Zoot Sims, Clifford Brown, Dizzy Gillespie, Thelonious Monk, Illinois Jacquet, Norman Simmons, Roy ...
The alpine Saalfelden 2019 experience
by Henning Bolte
Saalfelden? For those who don't already know, it is a small Austrian town in a magnificent alpine landscape in the Pinzgau, 70 km west of Salzburg, famous for its jazz festival in August and January and popular as a vacation and sport area. Character The festival has a great 40-years history having built a ...
Matthew Shipp - Mark Helias - Gordon Grdina: Skin And Bones
by Karl Ackermann
The Skin and Bones Music Series is an ongoing succession of creative music events in various venues in and around the city of Kelowna in British Columbia. The concerts have hosted a diverse group of jazz artists from veterans such as Peter Brötzmann to rising stars The Bjorn Kriel Trio. Among the series' featured acts was ...
Steve Khan: Patchwork
by John Kelman
Amongst the many myths out there about music-making—especially in jazz, where the improvisation quotient is often so high—is that composing may, indeed, be work, but doesn't require the kind of relentless attention to detail that far more truthfully defines how many artists write and arrange their music. These days, one need only look to music by ...
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