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Tim Berne's Snakeoil: You’ve Been Watching Me
by Karl Ackermann
In the course of his long and prolific career, alto saxophonist/composer Tim Berne has been more of a musical agitator than a mediator. While that's a positive characteristic of Berne's creative process, it is also a demanding one for all concerned. Berne's tenure with ECM, however, has been marked by a more pronounced move toward balancing ...
Mathias Eick: Midwest
by Vic Albani
Il viaggio è sempre un valido aiuto alla creatività. Mathias Eick, ormai da molti anni riconosciuto quale uno delle più interessanti menti musicali della new wave jazzistica norvegese, è nato a fine giugno del 1979 in un piccolo borgo rurale ed è forse per questo che, attraversando il celebrato Midwest americano a margine di ...
Jøkleba: Outland
by Vic Albani
Jøkleba giunge al quinto capitolo della propria storia approdando finalmente sulle spiagge ECM. Il più imprevedibile dei gruppi della Norvegia contemporanea omaggia il trionfo dell'enfasi elettronica correlando il discorso musicale a quello (citato iconograficamente nel libretto di copertina) del pittore, compositore e scrittore elvetico Adolf Wölfli (1864-1930) che passò oltre metà della propria vita in un ...
Jakob Bro: Gefion
by Vincenzo Roggero
I primi centottanta secondi sono quasi impercettibili. Non è una questione di volume, ma di estetica, di dichiarazione di intenti. Jakob Bro si presenta così in Gefion sua prima fatica discografica per ECM, il silenzio, lo spazio, il suono, il Rainbow Studio di Oslo come compagni di viaggio al pari del batterista Jon Christensen e del ...
Tim Berne's Snakeoil: You've Been Watching Me
by Mark Corroto
The music of saxophonist Tim Berne has invariably raised the question: where have you been? His early self-released sessions (collected in the Empire Box (Screwgun, 1999)) from the late-1970s and early 80s gave no quarter to the neo-conservative jazz movement. Signed by Columbia Records (what were they thinking?) he forged ahead with his incendiary vision, only ...
Julia Hülsmann Quartet w/ Theo Bleckmann: A Clear Midnight - Weill and America
by John Kelman
Given enough time, things in life often come around full circle. Julia Hülsmann's three recordings for Munich's ACT label were all vocal affairs, where the German pianist's core trio--with bassist Marc Muellbauer and drummer Heinrich Köbberling--were joined by singers ranging from Norway's Rebekka Bakken to Germany's Roger Cicero. Since moving to another Munich label, the more ...
The half-finished heaven
by John Kelman
She may have debuted on ECM (and, consequently, far beyond the borders of her native Norway) with 2007's Starflowers, but Sinikka Langeland has, in fact, been around for more than two decades, with her first album, Langt Innpå Skoga, released on Norway's Grappa label in 1994. Composer, singer and master of the kantele—an antiquated Scandinavian dulcimer/zither ...
John Abercrombie: Characters
by John Kelman
John Abercrombie CharactersECM Records1978 Guitarist John Abercrombie's emergence as a guitarist of singularity seems, in retrospect to have happened very quickly. A band member in the horn-driven jazz-rock band Dreams alongside drummer Billy Cobham and the Brecker Brothers, as well as stints with fusion keyboardist Barry Miles, saxophonist Gato Barbieri and ...
Chris Potter Underground Orchestra: Imaginary Cities
by Eric J. Iannelli
Writing jazz music, says Chris Potter, is “a bit of a zen exercise." “A lot of what you're thinking about when you're writing is the stuff that's not there. You're thinking about the solos and the way the band is going to play it together--things that can't be notated." For Imaginary Cities, ...
Giovanni Guidi: This Is the Day
by Libero Farnè
Dopo City of Broken Dreams, edito sempre dalla ECM all'inizio del 2013, ecco il secondo disco del trio di Giovanni Guidi. All'ascolto di This Is the Day, registrato nell'aprile 2014 da Stefano Amerio, uno dei tecnici oggi prediletti da Manfred Eicher e non solo, si ha la precisa sensazione di trovarsi di fronte ad un'operazione tipicamente ...
