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Dominique Pifarély Quartet: Tracé Provisoire
by Mark Sullivan
French violinist Dominique Pifarély--last heard solo on Time Before And Time After (ECM, 2015)--leads a quartet into that uncharted territory between improvisation and composition. The quartet was founded in the spring of 2014, but the players had many associations before that. Pifarély and double bassist Bruno Chevillon have recorded together with clarinetist Louis Sclavis on Chine ...
Sinikka Langeland: The Magical Forest
by Mark Sullivan
Norwegian singer and kantele player Sinikka Langeland leads her Norwegian-Finnish-Swedish Starflowers quintet through a series of songs built upon myths and legends from Finnskogen, the forested area in eastern Norway bordering Sweden where Langeland has been based since 1992. The name means forest of the Finns," reflecting the history of Finnish migration to the place during ...
Sinikka Langeland: The Magical Forest
by John Kelman
Some pairings seem, in retrospect, to be made in heaven; so inevitable that it's only when they actually take place that it becomes clear how predestined they were all along. Sinikka Langeland--a forward-thinking traditional singer and kantele (Finnish zither/dulcimer variant) champion garnering significant attention in her home country of Norway over the past two decades--has, since ...
Jack DeJohnette, Ravi Coltrane, Matthew Garrison: In Movement
by Vincenzo Roggero
Due figli d'arte con una pesante eredità sulle spalle ed un maestro che ha attraversato in prima fila le vicende della musica afroamericana degli ultimi cinquant'anni. È il trio che dà vita a In Movement, la solita produzione ECM tra stupore e orticaria. Tre musicisti che si mettono in gioco, perché se di nome fai Coltrane ...
Mats Eilertsen: Rubicon
by John Kelman
It's no news to learn that we're the confluence of our many experiences: life, love, music....everything that we are comes from where we've been, what we've done, what we've experienced. That said, it doesn't mean that we can't move in completely new directions or try something completely foreign to us. Still, it's almost impossible to do ...
Glauco Venier: Miniatures
by Mark Sullivan
Italian pianist Glauco Venier presents a delicate program of Music for piano and percussion" on his first solo album for ECM. The approach came out of music Venier made for a documentary film about sculptor Giorgio Celiberti, which involved piano plus playing on sonorous sculptures" (metal sculptures designed to also have sound qualities). For this recording ...
Miroslav Vitous: Music of Weather Report
by Mark Sullivan
Bassist Miroslav Vitous was a founding member of Weather Report, making him one of the architects of the highly improvisational approach taken by the original band. On his earlier album Remembering Weather Report (ECM, 2009) he evoked the spirit of the old band and its collective improvisational style (characterized by keyboardist Joe Zawinul as No one ...
Peter Erskine Trio: John Taylor/Palle Danielsson: As it Was
by Karl Ackermann
Over the course of five years in the 1990s, drummer Peter Erskine, pianist John Taylor and bassist Palle Danielsson came very close to perfecting the contemporary piano trio presentation. Across four ECM releases, You Never Know (1993), Time Being (1994), As It Is (1996) and Juni (1999), the international group, all with prior ECM history, came ...
Vijay Iyer, Wadada Leo Smith: A Cosmic Rhythm With Each Stroke
by Luca Canini
Ci sono dischi che succedono ancora prima di succedere. Musica che sta nelle cose, destinata ad accadere, dentro la logica di un'astratta ma vincolante necessità. Basta solo aspettare che l'inevitabile si compia, che il disegno intuito da tempo prenda forma e sostanza. Questione di chimica, di affinità elettive, di soverchianti meccaniche celesti. Non ...
Golfam Khayam & Mona Matbou Riahi: Narrante
by Mark Sullivan
Iranian guitarist Golfam Khayam and clarinetist Mona Matbou Riahi--also known as the Naqsh Duo--bring a whole host of additional influences to bear on the Persian musical traditions they grew up with in the collaborative music on Narrante. Khayam explains that the freshness and purpose of improvisation come mostly from the Persian side, while the careful structure ...


