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Oded Tzur: My Prophet
by Chris May
Much like listening to late period John Coltrane or modern-day Charles Lloyd, listening to Oded Tzur is akin to a spiritual experience. The tenor saxophonist's fifth album, My Prophet, is his most affecting yet. Simultaneously corporeal and metaphysical, soulful and cerebral. Inexplicably, despite having four breathtakingly singular and near-perfect albums out and about ...
Tomasz Stańko: September Night
by Mike Jurkovic
Once one finds oneself sucked into the fervent undertow piloting the live, previously unreleased September Night it is too late: The boat has left shore. Beginning with bassist Slawomir Kurkiewicz's full throated rumble, “Hermento's Mood" spins off into fable somewhere around the one minute forty mark, when pianist Marcin Wasilewski begins his warm, welcoming ...
Fred Hersch: Silent, Listening
by Chris May
It took Fred Hersch a long time to begin recording for ECM--four decades and 17 Grammy nominations since his first own-name album--but when he arrived he did so in style. The Song Is You (ECM, 2022), a duo recording with flugelhornist Enrico Rava, reviewed here, was quietly sensational. The word “recalibration" is often wheeled out when ...
Fred Hersch: Silent, Listening
by Mike Jurkovic
Like many of Fred Hersch's haunted, focused recordings--2017's Grammy nominated Open Book(Palmetto Records), Solo (Palmetto Records, 2015) or In Amsterdam: Live at the Bimhuis (Palmetto Records, 2006)--the short story of Silent, Listening, Hirsch's first solo foray for ECM, is this: Stay for the rich, orchestral novel and the full reward is yours. On his ...
John Surman: Words Unspoken
by Mario Calvitti
Giunto alla soglia degli 80 anni, che compirà in Agosto, e con alle spalle oltre mezzo secolo di attività professionale che ha prodotto una discografia imponente e importante sia in termini di quantità che di qualità, il sassofonista britannico John Surman aggiunge un'altra gemma luminosa al ricco catalogo delle sue opere, in gran parte documentato sulla ...
Arve Henriksen: The Touch of Time
by Scott Gudell
Nordic trumpeter Arve Henriksen has played jazz, metal, folk, eclectic world music--with a nod to Japanese flute--and more. That caused at least one DJ to tell Henriksen “you are the musical chameleon." He will politely acknowledge that statement but has consistently returned to his chosen ground zero of ambient jazz dominated by subtle improvisation. When Henriksen ...
John Surman: Words Unspoken
by Joshua Weiner
Englishman John Surman has been one of jazz's most important reedmen since his debut album on the progressive Deram label in 1969. From the start, on classic albums such as John McLaughlin's Extrapolation, Surman displayed a unique voice on the baritone sax, soprano sax, and bass clarinet, sometimes adding electronics to the mix. Since his first ...
John Surman: Words Unspoken
by Mike Jurkovic
Hypnotic and many of its antonyms--stimulating, arousing, reviving--are old school hyperbole which very often separates the hack from the veteran of critical science. But sometimes those everyday words are exactly what need to be said to tell of music unlike everyday and most others. Words Unspoken is just that. Blowing free and unhindered since ...
Vijay Iyer: Compassion
by Mike Jurkovic
As the title track of Compassion gets conjured up on a rubato tumble of Tyshawn Sorey's cymbals, bassist Linda May Han Oh begins her work which--on all of Compassion--is herculean. Vijay Iyer ushers in, and a quiet thing of beauty gets underway. It is one of the album's monster tracks. And eleven more tracks follow.
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