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Nicolas Masson – Roberto Pianca – Emanuele Maniscalco: Third Reel
by AAJ Italy Staff
Il ginevrino Nicolas Masson, il ticinese Roberto Pianca e il bresciano Emanuele Maniscalco si sono riuniti in questo trio attorno a un'idea forte. Un'idea magari non così insolita, di questi tempi, ma che riesce comunque a generare una musica di estremo rigore e coesione. La non eccessiva originalità si deve al fatto che non mancano di ...
Iva Bittova: Iva Bittova
by Ian Patterson
The catch-all term avant-garde is often used to describe singer/violinist Iva Bittová's music, but in truth her musical language--kaleidoscopic in color and unique in presentation--is essentially unclassifiable. A well known actress, Bittová expanded her horizons to music in the early eighties, since when she's bounced from Bartok to experimental rock, and from folk-influenced jazz to her ...
Chris Potter: The Sirens
by Ian Patterson
Saxophonist Chris Potter has consistently shown a deep feeling for jazz tradition and a willingness to modernize his vocabulary at the same time. The lyricism of Lester Young, the fearlessness of Charlie Parker, the keening spiritualism of John Coltrane and the tireless creativity of Sonny Rollins all inspire him, as do funk, electric set-ups and classical ...
Stephan Micus: Panagia
by John Kelman
Almost like clockwork since 1983 (though he began his association with the label, on its subsidiary JAPO label, in 1977 with Implosions), multi-instrumentalist Stephan Micus has been delivering albums to ECM every one-to-three years. His modus operandi is largely the same: continue to scour the world for rarely exposed ethnic instruments and use them in contexts ...
Charles Lloyd: Quartets
by John Kelman
ECM's Old & New Masters Edition series was not just created to bring material back into print. Some has been available on CD before, but an even bigger carrot for fans of the label is material that has never been on compact disc, like bassist Arild Andersen's three 1970s recordings, collected on Green in Blue (2010), ...
Eleni Karaindrou: Concert in Athens
by John Kelman
For more than two decades, Eleni Karaindrou has been composing film scores for Theo Angelopoulos and releasing soundtracks on ECM, including Ulysses' Gaze (1995), with violist Kim Kashkashian, and Music for Films, where Norwegian saxophonist Jan Garbarek performs music from the Greek film director's The Beekeeper (1986). Concert in Athens isn't Karaindrou's first live recording; 2006's ...
Iva Bittova: Iva Bittova
by John Kelman
In its four-plus decade career, ECM Records has done more to blur, stretch and dissolve musical boundaries than any other label on the planet. With the world becoming a smaller place it's also become a fertile breeding ground for cross-cultural, cross-genre cross-pollination, with ECM on the vanguard of the inevitable consequences, having released countless examples of ...
Wislawa
by John Kelman
Since returning to the ECM fold in 1994 to record Matka Joanna (1995), Tomasz Stańko has virtually rebooted a career that demonstrated significant promise back in the 1970s, when he released Balladyna (1976) for the label, and worked with others including Finnish drummer Edward Vesala and American bassist Gary Peacock. The Polish trumpeter was far from ...
Tomasz Stanko New York Quartet: Wislawa
by AAJ Italy Staff
Inciso a New York nel giugno scorso, questo nuovo lavoro del settantenne trombettista polacco è stato concepito in memoria della poetessa, sua connazionale, Wislawa Symborska, scomparsa il 1° febbraio 2012 e, fra le tante cose, Pemio Nobel per la letteratura nel 1996. Il quartetto che lo firma è quello classico, con piano, basso e batteria, però ...
Jan Garbarek - Egberto Gismonti - Charlie Haden: Magico-Carta de Amor
by AAJ Italy Staff
Non si è ancora smorzato l'entusiasmo degli appassionati per la pubblicazione di Sleeper, lussuosa testimonianza inedita di un concerto giapponese del 1979 del quartetto europeo di Jarrett, che la ECM sforna dai propri archivi un'altra sfavillantissima gemma d'annata. Anche questo è un live inedito ultratrentennale (la registrazione è del 1981) di una formazione dalla breve vita ...
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