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Horace Silver: His Only Mistake Was To Smile
by Chris May
In his sleeve note for the audio restored Horace Silver album Live New York Revisited (ezz-thetics, 2022), British writer Brian Morton cut to the chase. “[Silver]'s only mistake," he wrote, “was to smile while he was playing... a challenge to the notion that jazz should be deadly serious and played with a pained rictus."
Backgrounder: Johnny Hodges and Earl Hines
Another terrific Johnny Hodges album is Stride Right, with pianist Earl “Fatha" Hines. The album was recorded for Verve in January 1966 and featured Johnny Hodges on alto saxophone, Earl Hines on piano and organ, Kenny Burrell on guitar, Richard Davis on bass and Joe Marshall on drums. The grace and prancing elegance of this album ...
Benny Benack III: Presentation matters
by Leo Sidran
Benny Benack III didn't necessarily start out thinking he would be a hipster crooner. He spent his 10,000 hours dealing with the trumpet, and he's still dealing with it. He tells me that he brings it with him everywhere--even on dates. He says, “Freddie Hubbard, Clifford Brown, Roy Hargrove, and Clark Terry were my early idols ...
Jazz Musician of the Day: Earl Hines
All About Jazz is celebrating Earl Hines' birthday today! A brilliant keyboard virtuoso, Earl “Fatha” Hines was one of the first great piano soloists in jazz, and one of the very few musicians who could hold his own with Louis Armstrong. His so-called 'trumpet' style used doubled octaves in the right hand to produce a clear ...
Wadada Leo Smith's Great Lakes Quartet: The Chicago Symphonies
by Karl Ackermann
The prolific virtuoso Wadada Leo Smith gave us two TUM Records box sets in the first half of 2021 and will end the year with two more, including the very ambitious The Chicago Symphonies. The four-disc collection features the trumpeter/composer's Great Lakes Quartet with saxophonist/flutist Henry Threadgill, bassist John Lindberg and drummer Jack DeJohnette. The final ...
Jazz Inside And Out: Select Posts from 2013-2015
by John Goodman
Here's a selection of posts from my now-discontinued blog, Jazz Inside and Out. I started writing it in summer 2013 and persisted for about six years. As 2016 rolled around, like many others I got quite taken over by politics, and my posts reflected that. Readership went up, jazz took a sabbatical. Politics and ...
Ray Gallon and Kenny Washington
by Joe Dimino
We kick off our 715th Episode of Neon Jazz with the veteran New York City pianist Ray Gallon. The music keeps on getting better here in 2021 and we profile artists including Alyssa Allgood, Mara Rosenbloom and Jeremy Monteiro. In between new tracks, we have older cats that influenced them from the likes of Ari Hoenig, ...
Various Artists: Impulse Records: Music, Message & The Moment
by Chris May
Those of us for whom Impulse has been as important a part of our cultural lives as Blue Note, perhaps even a more important one, will not be satisfied until the label reissues its entire catalogue on remastered CDs and audiophile vinyl. In the meantime, it would be churlish to do anything other than applaud such ...
International Sweethearts of Rhythm: una big band di donne afroamericane nella società sessista degli anni Quaranta.
by Maurizio Zerbo
Il genio creativo di Mary Lou Williams nell'era dello swing costituisce la punta di diamante della creatività jazzistica femminile, la cui storia è tutta da riscrivere. La presunta mancanza di forza fisica, abilità strumentale, senso dello swing fu alla base sello scetticismo della comunità jazzistica nei confronti delle donne, relegate al ruolo di vocalist in brani ...
That Slow Boat to China: How American Jazz Steamed Into Asia
by Arthur R George
A kind of jazz was already waiting in Asia when American players arrived in the 1920s, close to a hundred years ago. However, it was imitative and incomplete, lacked authenticity and live performers from the U.S. Those ingredients became imported by musicians who had played with the likes of Joseph “King" Oliver, Louis Armstrong, Earl Hines, ...
