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Tommaso Cappellato: Spiritual Jazz, Club Culture, Harry Whitaker e molte cose ancora
by Angelo Leonardi
Batterista, produttore e compositore, Tommaso Cappellato è tra i pochi musicisti italiani in piena sintonia con le ultime tendenze del jazz, dove contenuti e spirito di questa musica si legano ad afrobeat, soul, hip-hop, house, elettronica e vari generi della Club Culture. Una scena musicale che ha il suo fulcro a Londra e pubblica le sue ...
Chris May's Best Releases of 2019
by Chris May
The world may be going to hell in a handcart, but the year has been full of uplifting jazz. Here are ten of the best albums--the first seven newly recorded, the final three reissued or recently unearthed. Each one is the coyote's cojones. Yazz Ahmed Polyhymnia Ropeadope The eagerly ...
Ai Confini tra Sardegna e Jazz 2019
by Luciano Rossetti
Photos from the “Ai Confini tra Sardegna e Jazz 2019" Festival held in Sant'Anna Arresi, in the south of Sardinia, from August 30th to September 8th, featuring, among others, Rob Mazurek and Exploding Star Orchestra, Dwight Trible, Kahil El'Zabar, Greg Tate and Burnt Sugar Arkestra, Lonnie Holley, Matthew Shipp Trio, Joshua Abrams and Natural Information Society. ...
Ai Confini tra Sardegna e Jazz - XXXIV Edizione
by Paolo Peviani
Ai Confini tra Sardegna e Jazz Sant'Anna Arresi 30.08.2019 -08.09.2019 “Dobbiamo prendere atto che il percorso del festival si è concluso... Forse siamo caduti nella trappola auto-costruita della piccola comunità... Il festival era un pretesto per parlare nuovi linguaggi ... Le questioni artistiche vanno bene ma oggi il festival esprime poco ...
Harris Eisenstadt, Whit Dickey, Gard Nilssen and More
by Maurice Hogue
A very eclectic show this time out: drummers are front and center: Joao Lencastre, Whit Dickey, Gard Nilssen, Harris Eisenstadt, Kahil El'Zabar from the Ethnic Heritage Ensemble and Germany's Max Andrzejewski. The latter and his band Hütte are tackling the music of rocker/composer Robert Wyatt. If that isn't off the wall, how about a combination of ...
Dwight Trible at Ronnie Scott's Jazz Club
by Chris May
Dwight Trible Ronnie Scott's Jazz Club London August 17, 2019 Dwight Trible inhabits a song with more than just his voice, he does so with his whole body—he uses every available limb and digit and twists and turns and shoehorns himself into his material. At Ronnie's tonight he ...
Dwight Trible: Mothership
by Chris May
The Beatles' Revolver (Parlophone, 1966), recorded while the band were out of their skulls on high-voltage lysergic acid diethylamide, was the first masterpiece of British psychedelic rock. One of the album's highlights, the sitar-drenched closing track, “Tomorrow Never Knows," still sounds potent enough to trigger a flashback. Remarkably, Dwight Trible's version of “Tomorrow Never ...
The Gondwana Orchestra: Colors
by Matt Hooke
Saxophonist and composer Pharoah Sanders is often imitated but, never matched. His spiritual free-floating style, marked by his distinctive tenor saxophone tone makes him instantly recognizable. On Colors, the Gondwana Orchestra does not attempt to mimic the master, as the album does not include a single saxophonist. Instead of saxophone, the focus is on pianist Taz ...
Enrique Haneine, Antonio Borghini and Adam Hopkins
by Maurice Hogue
Drummer Enrique Haneine is back with a new recording, The Mind's Mural, and a quartet that paints some very powerful pictures in this week's episode of One Man's Jazz. Another drummer, Carlos Lopez from Spain, contributes music from two different recordings, while Italian bassist Antonio Borghini tops that with music from three different groups and recordings ...
Pedro Melo Alves, Rich Halley and more
by Maurice Hogue
the sonorous tones of the double bass echo throughout this episode, highlighted by a double hit of Israeli bassist Shay Hazan with music from new releases by his quintet and sextet, Argentina's Juan Bayon as well as Tom Abbs, and Kyle Motl with Abbey Rader's West Coast Quartet. You'll hear tracks from new albums by Pedro ...
