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Sarah McKenzie: A Mysterious Thing Called Songwriting
by Emmanuel Di Tommaso
Secrets of My Heart is the fifth studio album of the Australian singer, composer and pianist Sarah McKenzie. Released in 2019, this album represents a joyous and uncanny combination of classical jazz standards and new original compositions with a brilliant fusion between jazz, blues and latin sounds. We took the opportunity of the European tour of ...
Uptown Jazz Tentet: What's Next
by Jack Bowers
A tentet is a rather strange bird; too large to be labeled a small group, yet too small to be counted as a big band, it resides somewhere near the edges, mapping out its own musical profile. Some may rate that an asset, while others may deem it a mere hybrid, unworthy of their consideration. Wiser ...
Patrick Cornelius: From ECM to Acadia National Park
by Friedrich Kunzmann
With a persistently active live and equally dynamic release schedule in his back pocket, alto saxophonist Patrick Cornelius continues to push the boundaries of the straight-ahead approach to jazz into a more modern context. Since his first recording as a leader--2006's self-released Lucid Dream featuring a cast of fellow Berklee College of Music Students from the ...
Angel Bat Dawid & Tha Brothahood: Live
by Chris May
When the Chicago-based clarinetist, vocalist, composer, poet and spiritual-jazz shaman Angel Bat Dawid performed with Tha Brothahood at the London Jazz Festival in November 2019, she was riding high on the critical acclaim surrounding her recently released debut album, The Oracle (International Anthem). A cosmic lightning bolt of free jazz, mutant funk, electronica and spoken word ...
Uptown Jazz Tentet: What's Next
by Edward Blanco
New York-based trombonist Willie Applewhite birthed the idea of forming a new big band comprised of friends, and in 2016 The Uptown Jazz Tentet was established, co-led by trumpeter Brandon Lee and trombonist James Burton III. After playing to live audiences for several years, What's Next is the group's debut recording, and what an outing it ...
Charles Mingus: @ Bremen 1964 & 1975
by Chris May
Four hours of previously unissued, premier-league music by Charles Mingus is something to shout about, and @ Bremen 1964 & 1975 is about as good as the bassist and composer's posthumously released live albums get. Four CDs chronicle two extended, intense performances recorded in Germany by Radio Bremen. Both gigs featured all-star bands and both are ...
Rahsaan Roland Kirk: An Alternative Top Ten Albums Guaranteed To Bend Your Head
by Chris May
Jazz musicians are rarely called shamanistic but the description fits Rahsaan Roland Kirk precisely. Clad in black leather trousers and heavy duty shades (he was blind from the age of two), a truckload of strange looking horns strung round his neck—two or three of which he often played simultaneously--twisting, shaking and otherwise contorting his body, stamping ...
Diego Urcola Quartet: El Duelo
by Mark Sullivan
The cover of this album shows Diego Urcola (trumpet, flugelhorn) and Paquito D'Rivera (alto saxophone, clarinet) back-to-back, as if about to engage in the titular duel. But the sound is that of two veteran players jointly taking a leap into the unknown. A quartet without piano is an unusual setting for both of them. D'Rivera's liner ...
Take Five with Denin Koch
by AAJ Staff
Meet Denin Koch Hailed as possessing “pristine playing, meticulous composing" and “a very personal voice deserving of attention," guitarist and composer Denin Koch has synthesized his wide and varied influences into a unique approach to jazz improvisation. He has performed with Arturo Sandoval, Pat Metheny, Branford Marsalis, Ellis Marsalis, Wycliffe Gordon, Dee Daniels, Ryan Keberle, and ...
The Word from Johannesburg, Part I: Nduduzo Makhathini
by Karl Ackermann
In 1919, the Pasadena Evening Post said: “the friends of Mr. Whiteman have with much enthusiasm bestowed the title of “King of Jazz" upon him." While Paul Whiteman was heavily criticized for wearing the crown, it was not one that was self-attributed or with which he felt completely comfortable. But Whiteman was a brilliant marketer and ...
