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Joel Ross: Gospel Music
by Jack Kenny
Religion has long provided a stimulus for jazz. Figures as august as Duke Ellington and John Coltrane drew profound inspiration from their faith, though their reception varied. Ellington's religious compositions were often unfairly dismissed as the eccentric, late career works of an aging genius. Conversely, John Coltrane's A Love Supreme (Impulse!, 1965) perfectly captured the spiritual ...
Giacomo Ancillotto: Descansate Niño
by Neri Pollastri
È significativo fin dal suo titolo questo primo disco a proprio nome di Giacomo Ancillotto, musicista comunque già molto noto e assai apprezzato: Descansate Niño viene infatti da una strofa di Paolo Conte e si riferisce a un esitante musicista sul punto di dire la sua, cosa che Ancillotto fa in questo album, di fatto un ...
Albert Marquès / Rachel Therrien: Dialogue (Vol. I & II)
by Artur Moral
Except for the most radically experimental music, in a jazz context increasingly dominated by written scores that leave little room for improvisation, the appearance of a musical diptych centered on the latter is undoubtedly most welcome. This applies both to individual discourse and to creation shared simultaneously by various performers. Granted, many listeners may be absolutely ...
Martin Wind: Stars
by Pierre Giroux
A chamber-jazz glow hangs over Stars a sessions featuring renowned bassist and composer Martin Wind, with a quietly luminous quartet including legendary pianist Kenny Barron, exceptional clarinetist Anat Cohen, and imaginative drummer Matt Wilson. The album feels less like a blowing date than a late-night conversation among old friends, where each phrase is weighted with warmth ...
Emanuele Parrini: Animal Farm
by Neri Pollastri
Nuovo capitolo del percorso artistico di Emanuele Parrini, che aggiunge alla sua storica formazione --con Giovanni Maier al contrabbasso e Andrea Melani alla batteria--Piero Bittolo Bon a flauti e sax baritono e Domenico Caliri alla chitarra. Il violinista toscano aveva da tempo messo a punto il materiale, ispirato come da titolo al romanzo di George Orwell, ...
Eddie Allen: Rhythm People
by Jack Bowers
Brooklyn-based trumpeter Eddie Allen and his well-groomed sextet, PUSH, truly are Rhythm People, as they prove time and again on Allen's ninth recording as leader of his own group. Whatever the tone or tempo, PUSH swings its merry way through a dozen bright and upbeat tunes, most written and all arranged by Allen, wherein strong and ...
Ukrainian Jazz Media: Unwavering Service
by Ian Patterson
Though the history of jazz in Ukraine dates back to the second decade of the 20th Century, jazz media in Ukraine was slower to develop. While this article's primary focus is on today's jazz journalists, independent proselytizers and advocates, it would be remiss not to mention some of those who paved the way. Several ...
Ralph Towner: The Accidental Guitarist
by Mario Calvitti
This article was first published on All About Jazz on May 16, 2017. Ralph Towner is a rather atypical figure in the vast world of jazz guitar. His instruments of choice are the classical guitar, which when he started, in the '60s, was played almost exclusively by guitarists related to Brazilian music like Charlie ...
Jerome Sabbagh: Purity Of Intent
by Doug Collette
The extent to which a musician expends effort to develop his own voice usually correlates to the depth of expression that eventually emanates from the personal style thereof. So it is with saxophonist/composer/bandleader Jerome Sabbagh who, in the years he has spent nurturing his profile in the New York City jazz world, has concentrated on learning ...
Jorge Vistel At Dock Street Jazz Club
by Ian Patterson
Jorge VistelDock Street Jazz Club Belfast, N. Ireland January 11, 2026 It took Jorge Vistel just one trumpet solo--a hypnotic four minutes of deft lyricism and technical bravura--to signal to the audience that it was in for a treat. Such a balance of emotional heft and virtuosity made it easy to conclude that music ...
