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Super Bowl's Jazzy Halftimes
Yesterday's Super Bowl was amazing—perhaps the most astonishing finish in NFL history. But the halftime show was a bit of a disappointment. A little too playful and silly for me, and not nearly enough intensity or drama. Which reminded me that in the beginning, the Super Bowl halftime show was a modest jazzy affair. The turning ...
Tony Mastrull: The Tony Mastrull Project
by Nicholas F. Mondello
In the late 1960s, the story circulated in Las Vegas that Elvis Presley caught aural wind of an original composition written by a young arranger and which piece was used in the Vegas production of Joseph and the Amazing Technicolor Dreamcoat. The King was so taken by the tune's emotional power that he offered to buy ...
Kenny Wheeler: Songs for Quintet
by John Kelman
With the passing of Kenneth Vincent John Wheeler--Kenny Wheeler to his legion of friends and fans--the world lost yet another significant figure in the history of jazz from the mid-'60s through to the second decade of the new millennium, the artist that Norma Winstone (more often than not his singer of choice) called “the Duke Ellington ...
John Coltrane: Exploring the Mystery of A Love Supreme, Part 2
by K. Shackelford
Part 1 | Part 2 This year marks the 50th anniversary of John Coltrane's album, A Love Supreme. Here is a critical engagement of various parts of A Love Supreme by UC-Berkeley professor and author Dr. Scott Saul. The excerpt is taken from his award winning book Freedom Is, Freedom Ain't: Jazz and ...
Working the Rhythm Section: Tom Lawton, Lee Smith, and Dan Monaghan
by Victor L. Schermer
As Duke Ellington's standard goes, “It Don't Mean a Thing if it Ain't Got that Swing." The rhythm section (piano, bass, drums, with guitar and percussion sometimes added) is the core of the typical jazz ensemble. They set the frame for the leader, singer, and soloists and contribute their own solos as well. Even though they ...
Horace Silver Quintet: June 1977 (livelove Series Vol 2)
by Mark Sullivan
When the Horace Silver Quintet took the stage in Bremen in June, 1977, Silver was nearing the end of his long association with Blue Note Records. Much of the band's book was drawn from recent albums: the title tune from In Pursuit of the 27th Man (Blue Note, 1973), and two each from Silver 'N Brass ...
How to Listen to Jazz
by Douglas Groothuis
All About Jazz readers are usually very hip to the joys and challenges of listening to this uniquely American and endlessly fascinating art form we call jazz. Aficionados of jazz like to talk about jazz, like to recommend jazz to others, and like to listen to how others listen to jazz. This is why strangers can ...
Clarence Penn & Penn Station: Monk: The Lost Files
by C. Michael Bailey
A well-established creative paradigm exists to justify Clarence Penn & Penn Station's recording Monk: The Lost Files. “Classical" music is often considered that music, composed long ago, that has stood the test of time, remaining viable to the public in recordings and live performance. These composers of this music tend to be Europeans from the last ...
Ari Brown: Groove Awakening
by Angelo Leonardi
Erede della grande tradizione sassofonistica di Chicago, il settantenne Ari Brown pubblica il suo quarto album da leader confermando gli aspetti chiave del suo stile: timbro magniloquente e ricco di sfumature, fraseggio fluente, marcato senso del blues, viva energia con cui sostiene lunghi e rapsodici assoli. Nel suo strumento si rinnova lo spirito ecumenico, ...
The Best Gig in Town: Jazz Artist at the White House 1969-1974
by C. Michael Bailey
The Best Gig in Town: Jazz Artist at the White House 1969 -1974 Edward Allan Faine 229 Pages ISBN: #9780985795245 IM Press 2014 There is something puzzling and curious about a book documenting jazz performances at the White House specifically during the Nixon Administration. A thoroughly divisive historical figure, ...
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