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John Fedchock New York Big Band: Like It Is
by Edward Blanco
Veteran trombonist and big band leader John Fedchock, has had a history of showcasing some of the finest contemporary ensemble music ever presented, and on the audacious Like It Is, keeps that tradition alive on the fifth album from his 16-piece New York Big Band. A group by the way, that has been around and swinging ...
Blues Evolution: Inspired
by Chris Mosey
Georgia White sang, “the blues ain't nothin' but a good woman feelin' bad." Duke Ellington came up with the music's most poetic definition. The blues, said Ellington, was “a dark cloud marking time." For a long time, musically, the blues wasn't nothin' but a simple 12-bar progression, one played and sung by blacks. ...
Nick Finzer: The Chase
by Mark Sullivan
Trombonist Nick Finzer distinguishes himself as horn player, composer, and bandleader on this exciting sextet date. It's upbeat modern jazz just about all the way, aided by creative arranging. This is bop-based music, but Finzer avoids the trap of having all of the tunes follow the same head-solos-head format. There's plenty of solo space, but not ...
John Fedchock New York Big Band: Like It Is
by Dan Bilawsky
Trombonist John Fedchock may be a seasoned veteran, but he's not set in his ways as a player, arranger, or composer. While some big band leaders of his ilk either try to recreate the past or completely abandon it, attempting to reboot themselves by genuflecting at the altar of modernism, he isn't one of them. Fedchock ...
Indra: Heartland
by Jakob Baekgaard
The idea of the journey is a motif that is often found in music. If you go back to the blues, gospel and old-time music, these are musical traditions that are filled with songs about restless people on the road, trains, cars and feet moving through a landscape. It can be a physical journey, moving from ...
Jive-Colored Glasses
by John Goodman
The following is an excerpt from “Chapter 4: Chicago" of Jive-Colored Glasses by John F Goodman (jg publications, 2015). Growing up in and around Chicago in the 1950s brought me to all kinds and flavors of jazz. Between the house parties, clubs and concerts, there was a menu to please everyone. The Rush Street ...
International Jarek Smietana Jazz Guitar Competition 2015
by Ian Patterson
International Jarek Smietana Jazz Guitar Competition Krakow, Poland July 1-4, 2015 Szymon Mika, a twenty-four year old Polish guitarist, won first prize in the inaugural International Jarek Smietana Jazz Guitar Competition, held in Krakow from 1- 4 July. An international jury comprising John Abercrombie, Karol Ferfecki, Mike Stern, Wojciech Karolak, Ed ...
Kirk Knuffke: Arms & Hands
by Vincenzo Roggero
Grande ammiratore di Mark Helias e di Bill Goodwin e collaboratore in alcuni dei loro progetti, il trombettista Kirk Knuffke, è riuscito nell'intento di farli suonare per la prima volta insieme in Arms & Hands, album al quale collabora un'altro eroe del leader come il sassofonista Daniel Carter. Knuffke è musicista atipico e trasversale, impossibile da ...
Max Johnson, Kirk Knuffke, Ziv Ravitz: Something Familiar
by Karl Ackermann
New York native Max Johnson does not appear to require sleep. The bassist/composer, whose career spans the wide terrain from the Trans-Siberian Orchestra to Lollapalooza to Anthony Braxton consistently delivers fresh, adventurous, high-quality music against an ambitious output. With his now-regular working trio of Kirk Knuffke on cornet and drummer Ziv Ravitz, the group has released ...
Jeff Hackworth: The Heart of the Matter
by Edward Blanco
Veteran tenor saxophonist Jeff Hackworth doesn't fool around much on his most recent musical project and gets right to The Heart of The Matter, unveiling his seventh album as leader and follow up to his previous critically-acclaimed Soul To Go! (Big Bridge Music, 2014). Employing a muscular approach to the saxophone, Hackworth's tenor voice is pronounced ...
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