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George Wein: A Life and Legend in Jazz
by Doug Hall
Last summer, in June of 2017, I had the privilege and opportunity to interview George Wein, founder and producer of the seminal Newport Jazz Festival. At 91, he was just in the process of supporting and transitioning the new artistic director Christian McBride into this demanding and critical role for the future of the Newport Jazz ...
Pete Malinverni: Heaven
by Angelo Leonardi
Il titolo di questo disco allude al cielo non in senso atmosferico. Il pianista Pete Malinverni ha passato 18 anni a suonare alle funzioni della Devoe Street Baptist Church in Brooklyn e dopo essere stato colpito dalla morte della moglie e dal sospetto di una grave malattia, ha pensato di realizzare un album a contenuto spirituale. ...
Michael Leonhart: Surfing on an Orchestral Wave
by Ludovico Granvassu
If one were to find an answer to the age-old “nature or nurture" debate, s/he would have to look no further than The Painted Lady Suite [Sunnyside Records]. Listening to the stunning debut album by the Michael Leonhart Orchestra makes it clear that major achievements are only possible when nature and nurture are well integrated and ...
Dead Composers Club: The Chopin Project
by Jerome Wilson
Saxophonist Noah Preminger has a reputation for exploring various genres outside jazz, like protest music and old-time delta blues. He has now formed a group called Dead Composers Club, with drummer Rob Garcia, to perform the works of various composers who are no longer with us. With Preminger's track record that could mean anybody from Duke ...
Summer Jazz and Fringe Jazz Fest in Copenhagen
by Jakob Baekgaard
Summer Jazz & Fringe Jazz Fest Various Venues Copenhagen and Valby, Denmark July 6-8, 2018 This year, Copenhagen Jazz Festival celebrates its 40th anniversary. It's a lot of years with a lot of music and the tendency has been unequivocal. The festival has been growing with new venues ...
John Coltrane: Both Directions at Once: The Lost Album
by Luca Canini
Non un bootleg registrato alla meno peggio chissà da chi e chissà come; e nemmeno il remake di un remake spacciato per novità assoluta dopo un paio di goffi aggiustamenti e magari una manciata di minuti mai ascoltati prima. Stavolta l'inedito è clamoroso: quattordici brani fissati su nastro dal quartetto di John Coltrane il 6 marzo ...
New England Jazz Ensemble: Peter and the Wolf
by Jack Bowers
As the Russian composer Sergei Prokofiev composed the children's tale Peter and the Wolf to introduce classical music to a wider audience, so the world-class New England Jazz Ensemble has reimagined Prokofiev's beloved fantasy in jazz terms as a pathway to a greater awareness of its singular style of music. The redesigned suite, which encompasses almost ...
Ronnie Cuber: Live At Montmartre
by Chris Mosey
Of all the musical instruments invented by Adolphe Sax in the mid-19th century, the baritone saxophone remains the least played. Harry Carney persuaded Duke Ellington to use the heavy, cumbersome instrument and it became a distinctive part of the band's sound. Others who have played the baritone saxophone include Cecil Payne, Pepper Adams, Serge Chaloff and--for ...
Jungsu Choi: Tschuss Jazz Era
by Chris Mosey
Living in a state of unresolved civil war since 1945, and lately under threat of nuclear annihilation, obviously sharpens the senses, gives the Korean people an edge the rest of us don't have. Recently, Donald Trump took one look and was blown away. He said (or perhaps Tweeted), “These are wonderful, hard-working people." ...
Anat Cohen - Fred Hersch: Live In Healdsburg
by Doug Collette
Equally distinctive as they are, the respective instrumental styles of pianist Fred Hersch and clarinetist Anat Cohen are almost mirror images of each other. That is, the former is generally a formal, dignified presence on his instrument, yet he has a readily discernible playful side that comes out at regular intervals. The latter, on the other ...
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