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Brandee Younger: Somewhere Different
by Angelo Leonardi
Da un decennio Brandee Younger è il nuovo volto dell'arpa nel jazz ma solo da poco ottiene i pieni riconoscimenti del suo valore: nel 2020 vince il referendum della critica di Down Beat nella categoria emergenti per “Strumenti Vari" e nel recentissimo Critics Poll 2021 è votata al secondo posto in quella principale, dopo la violoncellista ...
Unconventional Instruments
by Karl Ackermann
ECM regularly tops lists of the best jazz labels though their full name--Edition of Contemporary Music--would argue for a broader scope of content. A substantial number of their most popular albums, such as Carla Bley's Escalator Over The Hill (1974), Egberto Gismonti: Dança Dos Escravos (1989), Nils Petter Molvær's Khmer (1997), and many more, are not ...
A Pride of Jazz Leos - Louis Armstrong, Abbey Lincoln, Dorothy Ashby & More
by Mary Foster Conklin
Lots of Jazz Leos to celebrate on today's broadcast. Included are new releases from Beth Duncan, Regina Carter, Ken Steele plus a special pandemic single from Lauren Lee, with birthday shoutouts to Abbey Lincoln, Louis Armstrong, KJ Denhert, Hendrik Meurkens, Kat Gang, Dorothy Ashby, Kat Edmonson, Roberta Piket, Terri Lyne Carrington and more. Thanks for listening ...
Atlantic Records: More Giant Steps: An Alternative Top 20 Albums
by Chris May
Ahmet and Nesuhi Ertegun's Atlantic Records differs in one key respect from Prestige, Riverside, Impulse!, Strata-East and Flying Dutchman, the most prominent labels covered so far in this Building A Jazz Library series. Those labels' discographies consist almost exclusively of jazz. Atlantic had parallel interests in soul and rhythm-and-blues and, later, rock. This had consequences, as ...
Prestige Records: An Alternative Top 20 Albums
by Chris May
Along with Alfred Lion's Blue Note and Orrin Keepnews' Riverside, Bob Weinstock's Prestige was at the top table of independent New York City-based jazz labels from the early 1950s until the mid 1960s. Like those other two labels, Prestige built up a profuse catalogue packed with enduring treasures. Originally a record retailer, Weinstock ...
Alina Bzhezhinska Quartet At Regional Cultural Centre
by Ian Patterson
Alina Bzhezhinska Quartet Regional Cultural Centre Letterkenny, Ireland February 15, 2020 History owes Alice Coltrane much more than the moniker of “John Coltrane's wife." Alina Bzhezhinska makes the point early on to the Letterkenny audience, on this, the final night of her quartet's ten-date Irish tour. A fine, pianist, ...
Results for pages tagged "Dorothy Ashby"...
Dorothy Ashby
Born:
Born Dorothy Jeanne Thompson, she grew up around music in Detroit where her father, guitarist Wiley Thompson, often brought home fellow jazz musicians. Even as a young girl, Dorothy would provide support and background to their music by playing the piano. She attended Cass Technical High School where fellow students included such future musical talents and jazz greats as Donald Byrd, Gerald Wilson, and Kenny Burrell.
While in high school she played a number of instruments (including the saxophone and string bass) before coming upon the harp. She attended Wayne State University in Detroit where she studied piano and music education. After she graduated, she began playing the piano in the jazz scene in Detroit, though by 1952 she had made the harp her main instrument. At first her fellow jazz musicians were resistant to the idea of adding the harp, which they perceived as an instrument of classical music and also somewhat ethereal in sound, into jazz performances. So Ashby overcame their initial resistance and built up support for the harp as a jazz instrument by organizing free shows and playing at dances and weddings with her trio. She recorded with Richard Davis, Jimmy Cobb, Frank Wess and others in the late 1950s and early 1960s. During the 1960s, she also had her own radio show in Detroit. Ashby's trio, including her husband John Ashby on drums, regularly toured the country, recording albums for several different record labels. She played with Louis Armstrong and Woody Herman, among others.
Brandee Younger: Soul Awakening
by Serena Antinucci
Sembrerebbe quasi che Brandee Younger abbia preferito ripetitive udienze private con la luna, prima di decidere se liberare il suo ultimo lavoro discografico. Forse, in questi dialoghi confidenziali, la luna le avrà svelato i misteri antichi del mondo, della musica, donandole immagini uniche piene di incanto. A queste è rimasta aggrappata per lunghi sette anni, prima ...
These Leos Are Jazz Lions
by Mary Foster Conklin
Some heavyweight birthdays in this mid-August broadcast, which included new releases from saxophonist Ben Flocks, songwriter Mark Winkler and guitarist Paul Silbergleit with celebratory shout outs to songwriter Bernice Petkere, Benny Carter and organist Trudy Pitts in the first hour, Roberta Piket, Jeri Southern, Howard Johnson and Regina Carter in the second hour, Abbey Lincoln in ...
Brandee Younger: Soul Awakening
by Mike Jurkovic
Sure the recording for Soul Awakening was completed in 2013, but we are more than fortunate that harpist Brandee Younger and producer/bassist Dezron Douglas have chosen now to free this music from the vaults. For Soul Awakening brings a defining clarity to what we've experienced on previous releases, such as the raw, groove/fusion of 2014's The ...
