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Maria Schneider Orchestra: The Thompson Fields
by Budd Kopman
The singular achievement of Maria Schneider is to merge the particular with the universal: to use her very personal experiences and memories as grist for music which is aurally beautiful and deeply infused with love. This love originates from Schneider the person and artist; it is amplified and returned by those directly involved in ...
Joe Locke's Love Affair with Language
by Dan Bilawsky
On the surface it's not so easy to spot the common thread unifying the greater fabric of Joe Locke's work. Since arriving in New York City in 1981, and emerging as a notable leader on record in the early '90s, this much-vaunted vibraphonist has developed into a protean performer and composer. Duo sessions with pianists Frank ...
Maria Schneider Orchestra: The Thompson Fields
by Dan McClenaghan
It's always interesting to discuss the jazz greats of yesteryear and swap thoughts on how the new generation of artists stacks up against the likes of John Coltrane, Miles Davis, Charlie Parker, Duke Ellington. And it's quite possible that the consensus opinion there would be that virtually no one working today can compare favorably to those ...
Dave Douglas: High Risk
by Mark F. Turner
A leading trumpeter and composer, Dave Douglas has never been content staying in one location for too long. Within his already diverse discography, he's produced imaginative music with numerous ensembles that include the intrepidly free Tiny Bell Trio; an acoustic-electric sextet Keystone; vivid reflections of Americana with his Riverside band. This time, he ventures once again ...
Maria Schneider Orchestra: The Thompson Fields
by C. Michael Bailey
Composer and band leader Maria Schneider has only a single peer... Carla Bley. Both women are direct descendants of Duke Ellington and the spiritual children of Hector Berlioz. They are not masters of a single instrument, but of collections of instruments and their achievement is realized from directing those instruments in a given direction dictated by ...
Alon Nechushtan: Venture Bound
by Neri Pollastri
Dopo il suo interessante Ritual Fire, del 2013, il pianista israeliano Alon Nechushtan presenta adesso questo nuovo lavoro, in realtà registrato nell'aprile del 2012 e sostanzialmente più convenzionale, ancorché venato da elementi che gli donano una personalità propria. La formazione è un classico quartetto con sax tenore--i due sassofonisti Donny McCaslin e John ...
Samuel Blais/David Liebman: Cycling
by Dan Bilawsky
There's no accounting for how great music comes together on record. Sometimes everything is meticulously laid out for months or years in advance, as artists use planning and implementation to their advantage in the creative process; other times, sparks just fly at spur of the moment sessions. Cycling falls into the latter category. ...
Dave Douglas: There's Wisdom Everywhere in the Universe
by Dave Wayne
We're republishing this June 2013 in celebration of the 10 year anniversary of Dave Douglas's Greenleaf Music record label. When All About Jazz last spoke with trumpeter, multi-bandleader, teacher, composer, marathon runner, podcaster, and record label head honcho Dave Douglas in November, 2011, he was in the Ukraine on the last leg of a ...
Love Is A Pendulum
by John Kelman
Since signing with Motėma Music a couple years back, vibraphonist Joe Locke has been releasing some of the best and most diverse music in a career now entering its fourth decade. From the near-fusion energy of 2012's Signing--the long overdue studio followup to the Joe Locke / Geoffrey Keezer group's incendiary Live in Seattle (Origin, 2006)--to ...
Joe Locke: Love Is A Pendulum
by Troy Collins
Since the late '80s vibraphonist Joe Locke, an artist who defies categorization, has performed and recorded with a diverse array of musicians, including Eddie Henderson, Cecil Taylor, and The Beastie Boys. Love Is A Pendulum, his fourth release on the Harlem-based Motema label, features some of Locke's most compelling music to date, the centerpiece of which ...
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