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Article: Live Review

Galway Jazz Festival 2018: Day 2

Read "Galway Jazz Festival 2018: Day 2" reviewed by James Fleming


Day 1 | Day 2 | Day 3 | Day 4Various Venues Galway Jazz Festival Galway, Ireland October 5, 2018 Thursday night's curtain rose on a brighter day, and a breeze blew gently down Galway's streets carrying the smell of the city on its back: petrol, coffee, sea-salt, cigarettes. ...

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Article: SoCal Jazz

Marcus Miller: America's AmBASSadoor

Read "Marcus Miller: America's AmBASSadoor" reviewed by Jim Worsley


Marcus Miller is most often described as a jazz, funk, soul, fusion, and R&B bassist. As much as that is accurate, it is a description that falls well short of the mark. Miller is a high-end musical sponge who manages to incorporate today's cultures and rhythms into his compositions, layered within the framework of sound he ...

3

Article: Live Review

Sligo Jazz Project 2018: Days 3-4

Read "Sligo Jazz Project 2018: Days 3-4" reviewed by James Fleming


Days 1-2 | Days 3-4 Sligo Jazz Project Various Venues Sligo, Ireland July 24-29, 2018 July 26, 2018When the wind died down the day turned humid and heavy. Clouds hung low in the sky, grey and oppressive. And as Sligo's people sipped their coffees and settled down at their ...

6

Article: Interview

Hal Willner's Rock 'n' Rota

Read "Hal Willner's Rock 'n' Rota" reviewed by Ludovico Granvassu


"The whole is greater than the sum of its parts." Anyone who has ever been at an all-star event--especially if that was a tribute concert--has learned the importance of Aristotle's maxim the hard way. Maybe the occasion was momentous, the cast probably star-studded, the heart certainly in the right place and the expectations high... however, at ...

8

Article: Interview

Michael Leonhart: Surfing on an Orchestral Wave

Read "Michael Leonhart: Surfing on an Orchestral Wave" reviewed by Ludovico Granvassu


If one were to find an answer to the age-old “nature or nurture" debate, s/he would have to look no further than The Painted Lady Suite [Sunnyside Records]. Listening to the stunning debut album by the Michael Leonhart Orchestra makes it clear that major achievements are only possible when nature and nurture are well integrated and ...

5

Article: Catching Up With

Gideon King: Street Jazz

Read "Gideon King: Street Jazz" reviewed by Paul Naser


New York based guitarist/composer/ songwriter Gideon King is no stranger to the city. Growing up there, he is well positioned to tell a story or two about the place. This is just what he sets out to do with his forthcoming release with his band City Blog, entitled Upscale Madhouse. Far from a condemnation, the title ...

27

Article: Live Review

Festival International de Jazz de Montréal 2018: Part 1

Read "Festival International de Jazz de Montréal 2018: Part 1" reviewed by John Kelman


Part 1 | Part 22018 Festival International de Jazz de Montréal, Various Venues, Montréal, Canada June 29-July 3, 2018 Every return to Montréal for the city's annual Festival International de Jazz de Montréal is much-anticipated. Closing off six square blocks in the downtown core is rare enough; but, over ...

27

Article: Live Review

TD Ottawa Jazz Festival 2018

Read "TD Ottawa Jazz Festival 2018" reviewed by John Kelman


2018 TD Ottawa Jazz Festival Multiple Venues Ottawa, Canada June 21-June 26, 2018 For its 2018 edition, the 39th annual TD Ottawa Jazz Festival faced a number of significant logistical challenges. First, Confederation Park, which has traditionally been the location of its large, outdoor venue, a food court and ...

89

Article: Interview

Leonardo Pavkovic: Nothing is Ordinary

Read "Leonardo Pavkovic: Nothing is Ordinary" reviewed by Chris M. Slawecki


More than any other person, Leonardo Pavkovic has made me write some crazy shit. Pavkovic is the primal force behind the joyously eclectic MoonJune Records, which he established in 2001. “Established" may not be the right word: “I am truly an unusual and rules breaking call-it-record-company with a 'label' identity despite the fact that ...

2

Article: Album Review

Jay Leonhart: Don't You Wish?

Read "Don't You Wish?" reviewed by Patrick Burnette


Jay Leonhart has been active as a jazz bassist from the 1960s, and since 1983's Salamander Pie (Digital Music Productions, 1990), he has, from time to time, headlined records as that rara avis, the singer-songwriter who plays acoustic bass rather than acoustic guitar. (one example: “Goodbye, Miami" from the debut--it sounds more prescient day by day.) ...


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