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277

Article: Album Review

Benny Sharoni: Eternal Elixir

Read "Eternal Elixir" reviewed by Jordan Richardson


Tenor saxophonist Benny Sharoni's debut as a leader, Eternal Elixir, mixes the vitality of a spiritual journey with the intelligence of an academic lesson, to come up with an intoxicating cocktail of brains and brawn. Sharoni is a precise and exciting player. His record is couched in the idea of music as salvation, and ...

898

Article: Profile

Introducing Booker Little

Read "Introducing Booker Little" reviewed by Robert Levin


[Editor's Note: This interview last appeared in Jazz & Pop, 1970. Little died in 1961, just a few months after it was originally published in Metronome.] Booker Little, twenty-three year-old composer, arranger and trumpet player (the order is arbitrary, each role has equal importance to him), has lately come to demonstrate, in recordings and ...

836

Article: Profile

Herbie Hancock: Seven Decades of Imagination

Read "Herbie Hancock: Seven Decades of Imagination" reviewed by A. Henkin


In the jazz world, certain figures exist purely as first names, their reputation assuring recognition. When ones hears the name Herbie, the mind jumps immediately to possibly the most famous 'rhythm section' in history: Herbie, Ron and Tony. That group included two more figures for whom last names are unnecessary, Miles and Wayne. Herbert Jeffrey Hancock ...

499

Article: Album Review

Lew Tabackin: Jazz na Hrade

Read "Jazz na Hrade" reviewed by Ken Dryden


Lew Tabackin began to make his mark in the '60s, touring or recording with Maynard Ferguson, the Thad Jones/Mel Lewis Orchestra, Duke Pearson, Joe Henderson, Elvin Jones, Donald Byrd and The Tonight Show Band. From 1968-69, he was a main soloist with the Danish Radio Orchestra. He helped his wife, Toshiko Akiyoshi, to form her long-running ...

225

Article: Album Review

Rhett Frazier, Inc.: Escape from Dee-Troyt

Read "Escape from Dee-Troyt" reviewed by Chris M. Slawecki


At first, singer-songwriter Rhett Frazier and producer-drummer Donny Gruender “incorporated" this joint retro-futuristic soul side project just to play around, nothing more than a diversion from their Los Angeles studio session work (Gruender, for example, rocks beats for the Motown house band, the Funk Brothers). But their Escape quickly evolved into its own full-blown monster: Two ...

693

Article: From the Inside Out

One Big Soul Party: Baltics & Beyond

Read "One Big Soul Party: Baltics & Beyond" reviewed by Chris M. Slawecki


Rhett Frazier, Inc. Escape from Dee-Troyt Digi-Soul Records 2010 At first, singer-songwriter Rhett Frazier and producer-drummer Donny Gruender “incorporated" this joint retro-futuristic soul side project just to play around, nothing more than a diversion from their Los Angeles studio session work (Gruender, for example, rocks beats for the Motown house ...

785

Article: Interview

Lew Tabackin

Read "Lew Tabackin" reviewed by Ken Dryden


Lew Tabackin needs no introduction to serious jazz fans. The tenor saxophonist and flutist worked with Maynard Ferguson, Thad Jones-Mel Lewis Orchestra, Joe Henderson, Duke Pearson, Donald Byrd, Elvin Jones and The Tonight Show Band; was a star soloist with the Danish Radio Orchestra in the late '60s; and joined alto saxophonist Phil Woods for a ...

962

Article: Old, New, Borrowed and Blue

Four In One: Monk From Four Different Angles

Read "Four In One: Monk From  Four Different Angles" reviewed by Dan Bilawsky


Superstitions tend to hold sway over many, otherwise, rational people. Plenty of us avoid walking under ladders, knock on wood and partake in countless other rituals that, while lacking in sound reasoning, certainly make us feel better and bring us comfort in our daily lives. Brides-to-be even fall into this category and believe that it will ...

1,214

Article: Interview

Joe Locke: Versatile Vibes Master

Read "Joe Locke: Versatile Vibes Master" reviewed by R.J. DeLuke


Jazz has a history of inclusiveness, accepting the influences of music from around the globe. It also knows no boundaries when it comes to instrumentation, accommodating all kinds of axes if they are played in the spirit of jazz. Rufus Harley even brought the unlikely bagpipes into the lexicon, playing the sound of surprise on the ...

468

Article: Extended Analysis

Sonny Rollins: Vol. 1

Read "Sonny Rollins: Vol. 1" reviewed by Matt Marshall


Sonny Rollins Vol. 1 Blue Note / Music Matters 2009 (1956) Often lost and forgotten in the mix of spectacular albums saxophonist Sonny Rollins made for the Prestige label in 1956 (including “all-time" sets Saxophone Colossus and Tenor Madness) and his second Blue Note effort, Sonny Rollins Vol. 2 (1957), ...


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