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Albert Mangelsdorff: Albert Mangelsdorff And His Friends
by Dan Bilawsky
The afterlife for Hans Georg Brunner-Schwer's storied MPS Records has been tough to track. After Brunner-Schwer sold the rights to Philips in the early '80s, the label changed hands several times--Polydor picked it up and passed it through a subsidiary, Universal Music Group acquired its holdings, Speakers Corner Records took over on the vinyl side of ...
The Brett Gold New York Jazz Orchestra: Dreaming Big
by Jack Bowers
What's that you say? A New York-based Jazz Orchestra as admirable as this one whose recording debut was delayed for more than twenty-five years? There ought to be a law! Well, in this case it wasn't the law but a lawyer who sidetracked the orchestra's debut for so many years. His name is Brett Gold, and ...
Rick Hirsch's Big Ol' Band: Pocono Git-Down
by Richard J Salvucci
Years ago, in liner notes forgotten somewhere, Phil Woods said, “There are good players everywhere. You don't have to go to New York to find them," or words to that effect. I was reminded of that observation listening to Rick Hirsch's . It is composed of players from Central Pennsylvania, with Hirsch himself in State College. ...
Clarence Becton: Straight Ahead Into Freedom
by Barbara Ina Frenz
Clarence Becton is a musicians' musician—meaning, someone well-known in musician circles. He belongs to the generation of American jazz heroes who grew up under economically and socially difficult circumstances, and for that very reason, succeeded in gaining a comprehensive education, emancipating himself, and embodying the history of jazz music by directly learning from and working with ...
Jack Wilkins: Playing What He's Preaching
by Rob Rosenblum
Some time in 1975 a box of records from the Mainstream label was dropped by my front door. I picked it up and began to open it with a mix of excitement and dread of having to face writing more record reviews. I saw an LP titled Windows with an unfamiliar cast of characters and put ...
Young People's Concerts: Jazz
In early 1964, Leonard Bernstein and the New York Philharmonic staged a series of Young People's Concerts at the newly opened Lincoln Center that married storytelling with different forms of music, including classical, jazz and folk. The point was to narrate original children's stories on stage while the New York Philharmonic or jazz and folk groups ...
Things We Like: Ottobre 2016
by AAJ Staff
Finito il mese di ottobre, riprendiamo la vecchia rubrica “Things We Like," dove, un po' per passione e un po' per gioco, descriviamo le cose (musicali e non) che ci rimarranno impresse del mese appena trascorso. Alberto Bazzurro Ottobre, mese pre-referendario per eccellenza (non quel referendum...), si porta generalmente appresso una caterva ...
Darcy James Argue's Secret Society: Real Enemies
by Angelo Leonardi
Real Enemies, la performance multimediale che Darcy James Argue ha presentato in varie occasioni nell'ultimo anno, ci consente di apprezzare con la dovuta concentrazione la multiforme ricchezza dei suoi percorsi. A sette anni dal debutto con Infernal Machine (seguito nel 2012 da Brooklyn Babylon) l'arrangiatore canadese conferma d'essere il massimo orchestratore emerso nel decennio, ...
Ron Carter: Always at the Center of the Action
by Victor L. Schermer
Great jazz bassists can always be identified by the fact that you really listen to them! A good jazz bassist keeps good time and gets the chords right, but a great bassist, going as far back as Jimmy Blanton, Scott LaFaro, Charlie Haden, or Jimmy Garrison, catches your ear because you're surprised and moved by what ...
I 10 CD nel CD-Player di... Marcos Varela
by Vincenzo Roggero
01. Kenny Barron -Book of Intuition (Impulse -2016). Adoro questo disco e questo trio che ho avuto la fortuna di sentire diverse volte dal vivo. Barron è uno dei miei pianisti preferiti sin da quando da giovane lo ascoltavo nei lavori di Stan Getz, nel suo disco Live at Bradley's e in duo con Charlie ...
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