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352

Article: Album Review

3ology: With Ron Miles

Read "With Ron Miles" reviewed by Mark Corroto


This take out order of music was made from both sides of the menu from a restaurant serving up both groove and improvisation by the Colorado-based trio 3ology with guest cornetist Ron Miles. This disc is the third release for saxophonist Doug Carmichael, bassist Tim Carmichael and drummer Jon Powers, following Out Of The Depths (CMW ...

341

Article: Album Review

Scott Dubois: Black Hawk Dance

Read "Black Hawk Dance" reviewed by Raul d'Gama Rose


There is a deep, questioning spirituality that pervades the music of Scott DuBois. On Black Hawk Dance, his second Sunnyside release, the music becomes a kind of ancient/modern ritual that reaches outward and upward to seemingly attain--as Don Cherry once did--complete communion with the Divine. But the journey is not easy, as the music on this ...

239

Article: Album Review

Kirk Knuffke: Amnesia Brown

Read "Amnesia Brown" reviewed by Martin Longley


Amnesia Brown was the name bestowed upon trumpeter Kirk Knuffke's absconding not-so-great grandfather. Apparently, he just sidestepped to a nearby town (and a new family), changing his name on the way. It's not quite clear how his memory (or lack of it) informs the repertoire of this album, but he also happens to provide the fourth ...

230

Article: Album Review

Jason Adasiewicz’s Rolldown: Varmint

Read "Varmint" reviewed by Nic Jones


Varmint is the second release from vibraphonist Jason Adasiewicz's Rolldown, following its self-titled 2008 debut on 482 Music. It's clear, from this program, that Rolldown is not content to stay in one place; no mean feat, considering the extent to which this music pays homage to Blue Note's documentation of artists like Andrew Hill and Sam ...

402

Article: Album Review

Don Cherry: Hear And Now

Read "Hear And Now" reviewed by Chris May


That multi-instrumentalist and world jazz pioneer Don Cherry was able to adopt such a beatific countenance for the cover shot of Hear And Now says much for the power of yoga, given the horrors that follow. The disc has now been reissued as part of Warner Jazz's Atlantic Masters series. But non-yogis should heed this warning: ...

120

News: Interview

Trumpeter Forbes Graham Interviewed at AAJ

Trumpeter Forbes Graham Interviewed at AAJ

Forbes Graham isn't hell-bent on taking the jazz world over by fiat. Then again, a sterling tone like Louis Armstrong's, a sense of stride and a sidewinder sleekness position him to do so. He brings spot-on timing, inherited from his key precursor, Don Cherry, into the icy age of post jazz--and swings, too, situated comfortably within ...

1,103

Article: Interview

Forbes Graham: Magenta Haze

Read "Forbes Graham: Magenta Haze" reviewed by Gordon Marshall


Forbes Graham isn't hell-bent on taking the jazz world over by fiat. Then again, a sterling tone like Louis Armstrong's, a sense of stride and a sidewinder sleekness position him to do so. He brings spot-on timing, inherited from his key precursor, Don Cherry, into the icy age of post jazz--and swings, too, situated ...

513

Article: Book Review

Signs Along The Road

Read "Signs Along The Road" reviewed by Jakob Baekgaard


Signs Along The Road Henry Grimes Soft cover; 128 pages ISBN: 978-3-00-020142-4 Buddy's Knife 2007 Bassist Henry Grimes was one of the leading lights on the free jazz scene in the 1960s, playing with many of the music's most famous names, including pianist Cecil ...

189

Article: Album Review

Gato Barbieri: In Search of the Mystery

Read "In Search of the Mystery" reviewed by Lyn Horton


Argentinean reed man Gato Barbieri began his career in the 1960s, looking to establish a voice that separated him from his native musical language. Having recorded twice in bands led by his mentor, trumpeter Don Cherry, in Paris and with Italian pianist Giorgio Gaslini's large ensemble in Milan prior to this recording, Barbieri decided to go ...

421

Article: Album Review

Linda Oh Trio: Entry

Read "Entry" reviewed by Mark F. Turner


First appearances and sounds can be deceiving. Linda Oh's petite stature defies the muscularity that her instrument emanates--a knotty booming bass that's at once authoritative and free flowing, delivered with momentum and zest. And like the well-noted arcos of Charles Mingus, Dave Holland and Charlie Haden, Oh already has the traits to become a noteworthy player ...


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