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Bergamo Jazz 2021
by Libero Farnè
Bergamo Varie sedi 16—19.9.2021 Nel febbraio 2020 su questo sito apparve una bella ed esaustiva intervista a Maria Pia De Vito, in qualità di neo nominata alla direzione artistica di Bergamo Jazz, prima donna dopo oltre quaranta edizioni del festival. Fra l'altro, in quella circostanza si colse opportunamente l'occasione per disquisire sul ...
Isaiah Collier and The Chosen Few, David Boykin Expanse & BSP Trio
by Maurice Hogue
I decided to take a break and let the music do the talking this time out, so this is an almost host-less episode of One Man's Jazz, filled with some great music as always. Featured are Chicago saxophonists Isaiah Collier & The Chosen Few, David Boykin Expanse and Dave Rempis (with Kuzu). There's more from James ...
Gustafsson / McPhee / Håker Flaten / Nilssen-Love: The Thing She Knows...
by Chris May
The Hat Hut and ezz-thetics family of labels is in 2021 just three years shy of its fiftieth anniversary. This is a remarkable, perhaps unique, achievement for an independent company which has concerned itself exclusively with the avant-garde end of jazz and conservatoire music from the get go, and has done so with the highest (for ...
Albert Ayler: New York Eye and Ear Control Revisited
by Mark Corroto
The backstory of New York Ear and Eye Control is a significant factor in the music and the direction free jazz took in the 1960s. Filmmaker Michael Snow commissioned Albert Ayler's trio with bassist Gary Peacock and drummer Sunny Murray to record a thirty-minute soundtrack for a movie, “Walking Woman," he had yet to film. As ...
Albert Ayler: New York Eye And Ear Control Revisited
by Chris May
The development of so-called free jazz in New York during the first half of the 1960s was topped and tailed by three landmark recordings: Ornette Coleman's Free Jazz (Atlantic, 1961), John Coltrane's Ascension (Impulse, 1966) and Albert Ayler's New York Eye And Ear Control (ESP, 1966). Of the three discs, only New York Eye And Ear ...
The Latest From Clean Feed Records
by Mark Corroto
2021 marks the twentieth year of Lisbon's Clean Feed Records. Listeners went from thinking ”who knew there was jazz in Portugal?" to acknowledging the label as the flag bearer of jazz' vanguard. Besides releasing music by Evan Parker, Mats Gustafsson, Steve Lehman, Julius Hemphill, Charles Gayle, Anthony Braxton, Elliott Sharp, Eric Revis, Harris Eisenstadt, and Kris ...
Unconventional Instruments
by Karl Ackermann
ECM regularly tops lists of the best jazz labels though their full name--Edition of Contemporary Music--would argue for a broader scope of content. A substantial number of their most popular albums, such as Carla Bley's Escalator Over The Hill (1974), Egberto Gismonti: Dança Dos Escravos (1989), Nils Petter Molvær's Khmer (1997), and many more, are not ...
Umbria Jazz 2021
by Libero Farnè
Perugia Varie sedi 09--18/07/2021 Fra i molti festival jazz che si sono affollati e sovrapposti nei mesi di giugno e luglio, probabilmente Umbria Jazz è quello che più ha sofferto della situazione pandemica. L'impossibilità di organizzare i concerti gratuiti nel centro storico, la mancanza di turismo, la defezione, anche all'ultimo minuto, di ...
Cortex: Legal Tender
by Mark Corroto
The Norwegian quartet Cortex answers the question, what would have happened if the Wynton Marsalis and Branford Marsalis, had advanced the jazz canon instead of looking backwards for inspiration. Remember when the two young lions burst onto the scene in the 1980s with their self-righteous mission to save jazz? They did so by stuffing it, much ...
Albert Ayler Quartet with Don Cherry: European Recordings Autumn 1964 Revisited
by Chris May
Many attempts have been made to locate the source of tenor saxophonist Albert Ayler's muse in American history and culture. Among the less outlandish suggestions are the field hollers of slaves toiling on Southern plantations and the Pentecostal church's tradition of talking in tongues. Given the importance Ayler's parents placed on him attending church as a ...
