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Dominique Eade + Jed Wilson: Open

by Michael P. Gladstone
If you were to ask a group of emerging jazz vocalists in New York who they were influenced or taught by, a surprising number would mention Mark Murphy or Dominique Eade. Certainly, Murphy's long career and many awards do not make him a surprise choice, but what of Dominique Eade? As the child of ...
Dominique Eade on Mountain Stage

by Ken Dryden
One of the most intriguing singers to emerge on the jazz scene during the 1990s was Dominique Eade, a gifted, chance-taking alto with a very expressive voice. Her considerable abilities as a composer and arranger, and her desire to seek deserving but less frequently performed songs, along with surrounding herself with top-flight musicians add to her ...
Dominique Eade: The Long Way Home

by Jack Bowers
The review in a moment. First, the nit–picking. When a singer has such first–class material as “Let’s Take the Long Way Home,” “Baltimore Oriole” or even “Anywhere I Wander” to choose from, why would he or she open an album, as Dominique Eade does, with something as hackneyed as Elton John / Bernie Taupin’s “Come Down ...