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Dominic Duval
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New Yorker Dominic Duval is one of the finest and most prolific bassists on the contemporary scene, having played and recorded with some of the greatest names in jazz and new music. Duval's continuing tenure with pianist Cecil Taylor's trio has cemented his reputation as one of contemporary music's more important figures. Duval is comfortable and can be seen performing in any number of genres, including modern classical, jazz or music which defies classification .The bassist has performed and recorded with such notables as saxophonists {{m: Joe McPhee = 9298}}, Ivo Perelman, Glen Spearman, and Mark Whitecage, composer Pauline Oliveros, trombonist Steve Swell, pianists Joseph Scianni and Michael Stevens, trumpeter Herb Robertson, and drummer Paul Lytton, David S
New Releases From Cortiñas, Muñeses, Wexler And More
by Bob Osborne
On this show we have a variety of new releases including latin jazz, classical crossover, and, live cuts. In addition a re-release of a classic album from Keith Jarrett and a dip in the archive for music from John Abercrombie and Julius Hemphill. I also continue my deep dive into the recent re-releases of Ivo Perelman's ...
Marshall Allen: A Century of Joyful Noise
by Ian Patterson
Marshall Allen turned 100 years old on May 25, 2024. Back in 1995, when Allen inherited the leadership of the Sun Ra Arkestra at the age of 71, you would have got pretty good odds that he would not be holding the chair nearly thirty years hence. But the cosmology of the Sun Ra Arkestra, and ...
Nu Band: In Memory of Mark Whitecage: The Nu Band Live At The Bopshop
by Troy Dostert
One of the underappreciated veterans of free jazz, Mark Whitecage passed away in March of 2021, leaving a well-established legacy of strong recordings in which his searing yet soulful alto saxophone merged with many of the more visible figures on the scene. Joe McPhee, Anthony Braxton, and Annette Peacock are just a few of the luminaries ...
Ivo Perelman with Arcado String Trio: Deep Resonance
by Troy Dostert
Throughout his long and prolific recording career, Ivo Perelman has recorded with a large number of free improvisation's leading lights. Pianist Matthew Shipp stands at the top of the pile, with over two dozen joint appearances; Joe Morris, Gerald Cleaver, Whit Dickey, William Parker, and many others help comprise the long list of associates he's maintained ...
Roscoe Mitchell with Ostravska Banda: Distant Radio Transmission
by Karl Ackermann
Roscoe Mitchell, a co-founder of the AACM and Art Ensemble of Chicago, continues to discover new intersections of jazz, classical and avant-garde music with Distant Radio Transmission. As he approaches eighty years of age Mitchell has waved off time and tradition, reinventing the AEoC brand with the orchestrated--sometimes operatic--We Are on the Edge: A 50th Anniversary ...
Impressions of Coltrane
by Bob Osborne
To mark reaching the 350th edition of World of Jazz a show focusing on the music of John Coltrane with music from the man and also interpretations of his compositions by other jazz artists.... Playlist John Coltrane “Billie's Bounce" from The Prestige Recordings (Prestige) 00:00 Khan Jamal “Blues for P.C." from Impressions of Coltrane (Steeplechase) 10:44 ...
Jason Kao Hwang: Sing House
by Karl Ackermann
From the earliest part of his solo career, violinist and composer Jason Kao Hwang has employed an eclectic blend of Western and Eastern influences. His recording roots were no less wide-ranging, beginning with Anthony Braxton's Sextet (Istanbul) (Braxton House, 1995), even if the influences were harder to pin down. Hwang later recorded with William Parker and ...
Suoni Per Il Popolo 2017
by Mike Chamberlain
Casa del Popolo, Sala Rossa, La Vitrola Suoni Per Il Popolo Montreal, Quebec, Canada June 1-24, 2017 This year's edition of the Suoni per il Popolo, or Suoni as it is popularly known, was the 17th since the inception of Mauro Pezzente and Kiva Stimac's Casa del Popolo mini-empire, which also ...
Remembering Dominic Duval
by Dom Minasi
Around 1985, I got a call from a close friend and my drummer at the time, Tony Lupo. Tony and I had been friends and playing together since 1963. At that time, we were both into Be-Bop and as we grew in age, our musical tastes and interest leaned towards outside playing. Of course, we never ...
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