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Dom Minasi Septet: The Bird, the Girl and the Donkey II
by Eyal Hareuveni
Following the successful realization of the powerful, free jazz collective headed by Dom Minasi on The Bird, The Girl And The Donkey (Re:konstruKt, 2010), the guitarist decided to expand his collective from a quintet to a septet. He kept the same attitude: intense, muscular and fiery playing from the first second till the last, but with ...
Goodbye Borah
by Dom Minasi
Up until eleven years ago I had never heard of Borah Bergman. Priding myself on being aware of many of the avant players and being a devout fan of pianist Cecil Taylor, I should have known about Borah, but I didn't.Many of my early public performing years were devoted to playing straight-ahead and then ...
What Is Jazz Now?
by Dom Minasi
Back in February, All About Jazz Managing Editor John Kelman asked me to develop a column based on points I made in the comment section of the article BAM or JAZZ: Why It Matters. I still feel the same way, but trumpeter Nicholas Payton's statement that jazz died in 1959 made me think, and I've been ...
Platform Expansion and the AAJ Road Show
by Michael Ricci
Dear fellow contributor, I have some news to share about the various improvements to the All About Jazz platform and the status of the Jazz Near You project. Please read on...Index 1. It's All About the Platform2. Breaking Up All About Jazz3. AAJ Road ...
The Importance of Being Earnest (or What It Takes To Be A Good Teacher)
by Dom Minasi
Question: Why write an article about being good music teacher?Answer: Because there are too many bad teachers out there!For some unknown reason people who have been playing their instruments for a few years think they can teach, especially when they don't know some of the basics themselves.Through the years, I ...
The Grammy Awards: To Be or Not To Be?
by Dom Minasi
I very rarely watch award shows. I feel like the entertainment industry is constantly patting one another on the back. I don't understand the need to have so many of the same types of award shows. Artisans seem to have an irresistible need to be consistently told how wonderful they are and so very often. Why ...
Karl Berger / Dom Minasi: Synchronicity
by Dan Bilawsky
The two men responsible for Synchronicity are known as bold risk-takers, well-informed free spirits and beyond-the-norm sculptors of sound, and these potential epithets are rightly reflected in the music they make together. Vibraphonist/pianist/wearer-of-many-hats Karl Berger and guitarist Dom Minasi met approximately a decade before this project came to pass and, while they periodically discussed the idea ...
Karl Berger and Dom Minasi: Synchronicity
by Eyal Hareuveni
Pianist/vibraphonist Karl Berger and guitarist Dom Minasi are both forward-thinking and experienced composers, improvisers and educators, with discographies that goes back to the 1960s--including, in the case of Berger, collaborations with Ornette Coleman, Don Cherry and Carla Bley; and, with Minasi, 1970s work with Joe McPhee and Matthew Shipp. Synchronicity's twelve freely improvised ...
Tips, Festival Coverage, New Columns, Improvements and more!
by Michael Ricci
Dear fellow contributor, There's no such thing as a free lunch--but please read on for free overseas trips, free CDs, free job opportunities and more.Index 1. Festival Time!2. Looking for CDs to review?3. New Columns4. Improvements Galore5. Pros for Hire ...
Anthony and Me
by Dom Minasi
When I was asked to write a column for All About Jazz, my question was what should I write about? I was told anything that was music-oriented.I decided that being a professional musician for more than fifty years, I could write about the things I care about, know about, have strong opinions about based ...
