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Aaron Parks: Invisible Cinema
by John Kelman
If ever there were a supporting case for the importance of mentoring in jazz, it would be Aaron Parks. The pianist began playing with trumpeter Terence Blanchard in 2003 at the age of 18 and, over the course of three albums culminating in last year's deeply moving A Tale of God's Will (Blue Note, 2007), has ...
Aaron Parks: Structured Freedom
by Jason Crane
Pianist and composer Aaron Parks is 24 years old--and he started college 11 years ago. A child prodigy who entered the University of Washington at age 13 as a triple major in math, computer science and music, Parks quickly found that music was his true calling. Now, after a five-year stint with trumpeter Terence Blanchard, Parks ...
Paul Bley: About Time
by Jerry D'Souza
Pianist Paul Bley has set many milestones along his illustrious career, taking the piano on undiscovered paths and fermenting his art with unbridled imagination. Risk has never daunted him, and even as he takes it, he keeps logic in lockstep.He is as much at home in avant-garde and free explorations as he is in ...
Greg Osby: 9 Levels
by Mark F. Turner
After ending a sixteen year tenure with Blue Note Records, leaving his signature as one of the most forward thinking, outspoken, and at times misunderstood artists in contemporary jazz, saxophonist/composer Greg Osby returns with 9 Levels, the first release on his new Inner Circle Music label. The music which is based upon Osby's ...
Eric Darius: Goin' All Out
by Katrina-Kasey Wheeler
Saxophonist Eric Darius has made his Blue Note label debut with Goin' All Out (Blue Note, 2008) and, as the title suggests, he is doing just that. The project includes covers of hits by Ne-Yo and Mary J. Blige, and he successfully puts his own spin on them. There is a new maturity in his music ...
Aaron Parks: Invisible Cinema
by J Hunter
When Aaron Parks first appeared with Terence Blanchard, the then-19-year old pianist with wild hair and rumpled clothing made him indistinguishable from many of the young jazz fans who came to see Blanchard's return from the world of Spike Lee film scores. Looks can be deceiving though as Parks would later become a key contributor to ...
Rigmor Gustafsson: Alone With the Music
by Katrina-Kasey Wheeler
Singer/songwriter Rigmor Gustafsson is perhaps best known for her vocal interpretations of other great singers, including Dionne Warwick and Burt Bacharach. Gustafsson's unique songwriting style has, however, garnered her accolades and top-ranking hits; she is the recipient of gold records in both Germany and Sweden. With Alone With You (ACT, 2008), Gustafsson showcases her amalgamated sound ...
David Murray & Mal Waldron: Silence
by Jerry D'Souza
David Murray (tenor saxophone, bass clarinet) and Mal Waldron (piano) recorded this album in Brussels in 1991. Waldron passed away in 2002, leaving Siilence as a strong testimony to his art and skill. The natural co-relation between Murray and Waldron characterizes the music. They construct skilled structures with the melody, essaying it ...
The Jeff Gauthier Goatette: House of Return
by Glenn Astarita
Violinist/producer Jeff Gauthier is well-known for his cutting-edge solo work and being a proponent of his label's crystalline, sonic engineering process, where most all the details and nuances can be detected, even with low-budget stereo equipment. The Goatette's third release continues to demonstrate the musicians' nearly telepathic interactions amid an abundance of structured and improvisational components.
John Patton: Soul Connection
by Jerry D'Souza
The Hammond B-3 soul-jazz sound of Big John Patton (as he was then called) was perfect for the 1960s. It was the groove that drew attention and Patton made several albums for Blue Note. As his style went out of favor, some of the recordings never saw the light of day until almost 20 years later ...
