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Dizzy Reece: Star Bright – 1959
by Marc Davis
In the 1950s and '60s, there were two jazz trumpeters named Dizzy. One was famous. This is the other guy. Dizzy Reece is a pretty obscure name, even among Blue Note fans. He was a young hard bop trumpeter from Jamaica who spent most of the 1950s playing in Europe, recorded four very good ...
Benny Golson: Dizzy Gillespie Sextet with Dexter Gordon: Blue 'n' Boogie
by William Ellis
Well--I've been around for a long time, and during the time when I got started there were no such things as albums so there were no covers! This was the time of the 78 recording with three minute at tops for each recording so whatever the person was going to present they had to present it ...
Julian Shore: Which Way Now?
by Dan Bilawsky
If the jazz world decided to elect a single questioning phrase to sum up its craft, this album title would be a great candidate. With three words and a single punctuation mark, the very heart of jazz--a music of infinite decision(s), not indecision, as some may (mis)read that--is laid out for all to see. Those who ...
In Praise of Liner Notes
by Marc Davis
Joni Mitchell was onto something. You don't miss liner notes until you don't have them. I admit: Many liner notes leave me cold, for two reasons. First, they're way too detailed, especially in jazz. Every take has to be scrupulously annotated. Who played third trumpet in that big band? Was that Bird's second or ...
Carlos Vega: Bird's Ticket
by Dan McClenaghan
Saxophonist Carlos Vega's band crackles. The sound of “A Confluence in Chi-Town," the opener on his Bird's Ticket recording, has an on-the-edge urgency in its distinctive approach to the standard jazz quintet format--bass/drums/keyboard rhythm section and a trumpet and a saxophone--a line up like Charlie Parker and Dizzy Gillespie used. Vega, a veteran of ...
AA.VV.: Jazz from America on Disques Vogue
by Maurizio Zerbo
La Sony ha pubblicato un cofanetto che l'appassionato di jazz farebbe bene a non lasciarsi sfuggire. Articolato in venti CD, il cofanetto racchiude ben quarantuno dischi originali della Vogue Records. Fondata nel 1947 dal critico Charles Delaunay, la label francese si distinse per una lungimirante progettualità rivolta sia a far incidere i grandi jazzisti ...
Tom Matta Big Band: Standards
by Jack Bowers
What's in a name? After all, a big-band jazz album by any other name would sound the same. On the other hand, it should be pointed out that as the versatile Tom Matta has chosen the name Standards to define his second album as leader of the Chicago-based Tom Matta Big Band, only three of the ...
Notable and Nearly Missed 2015
by C. Michael Bailey
John Petrucelli Quintet--The Way (Self Produced, 2014). New Jersey-native saxophonist John Petrucelli is an ambitious young man releasing his debut recording, The Way, as a two-CD set. The eleven selections presented are divided roughly in half, original compositions to standards. Petrucelli's quintet contains both a guitar and piano as harmony instruments, providing a fully-realized foundation for ...
Kenny Barron’s Platinum Trio with George Mraz and Lewis Nash
by Patricia Myers
Kenny Barron's Platinum Trio with George Mraz and Lewis Nash The Nash Third Anniversary Concert Phoenix, Arizona November 17, 2015 Pianist Kenny Barron brought his Platinum Trio with bassist George Mraz and drummer Lewis Nash to perform two classy concerts as part of the third anniversary celebration of The Nash, ...
Why the World Should Remember Wardell Gray
by Victor L. Schermer
Part 1 | Part 2 | Part 3 [This article is a commentary to accompany All About Jazz interviews about Wardell Gray with filmmaker Abraham Ravett and biographer Richard Carter, all of which are intended to bring readers' attention to this outstanding but under-recognized tenor saxophonist whose brief career spanned the transition from swing ...
